Add to ORKGThe study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directory leads the author to generate, depending on the context, three distinct groups of musica variations.L’étude de plusieurs centaines de variantes dans la tradition manuscrite des antiennes du répertoire romano‐franc conduit l’Auteur à dégager, selon les contextes, trois types bien distincts.1. Un témoin ou un groupe de témoins s’écarte de la majorité des autres2. Les témoins diastématiques se dispersent, la tradition neumatique restant unifiée3. Les manuscrits se divisent en raison d’une indétermination de l’écritur
Cette thèse s’inscrit dans une démarche de revalorisation des pratiques polyphoniques du plain-chant...
This article uses multiple witnesses of the chants from four offices of the Sanctorale, transcribed ...
Les travaux présentés pour obtenir l’Habilitation à diriger les recherches en musique portent sur le...
The study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directo...
The study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directo...
To date, there has been no detailed or comparative analysis of the repertory known as the Old-Roman ...
In the musical repertory of the medieval Gregorian liturgy, office chants have more diversity among ...
The repertory of music known as Milanese chant: has only recently attracted the attention of musicol...
This dissertation is part of an approach that promote Renaissance polyphonic practices of plainsong,...
This Phd contributes to revalorize polyphonic practices of plainsong in the Renaissance, a work unde...
This paper will trace the development of the uniquely monophonic Roman chant which reached its pures...
The conflicting assignments between modes 3 and 8 is found not only among sources, but also within a...
textDuring the eleventh century the Aquitanian monastery of St. Yrieix, located forty kilometers sou...
The article presents melodic transformations of the antiphon ad Mandatum “Si ego Dominus et Magister...
The performance of the singing art from the XIIth century cannot be settled only on a paleographical...
Cette thèse s’inscrit dans une démarche de revalorisation des pratiques polyphoniques du plain-chant...
This article uses multiple witnesses of the chants from four offices of the Sanctorale, transcribed ...
Les travaux présentés pour obtenir l’Habilitation à diriger les recherches en musique portent sur le...
The study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directo...
The study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directo...
To date, there has been no detailed or comparative analysis of the repertory known as the Old-Roman ...
In the musical repertory of the medieval Gregorian liturgy, office chants have more diversity among ...
The repertory of music known as Milanese chant: has only recently attracted the attention of musicol...
This dissertation is part of an approach that promote Renaissance polyphonic practices of plainsong,...
This Phd contributes to revalorize polyphonic practices of plainsong in the Renaissance, a work unde...
This paper will trace the development of the uniquely monophonic Roman chant which reached its pures...
The conflicting assignments between modes 3 and 8 is found not only among sources, but also within a...
textDuring the eleventh century the Aquitanian monastery of St. Yrieix, located forty kilometers sou...
The article presents melodic transformations of the antiphon ad Mandatum “Si ego Dominus et Magister...
The performance of the singing art from the XIIth century cannot be settled only on a paleographical...
Cette thèse s’inscrit dans une démarche de revalorisation des pratiques polyphoniques du plain-chant...
This article uses multiple witnesses of the chants from four offices of the Sanctorale, transcribed ...
Les travaux présentés pour obtenir l’Habilitation à diriger les recherches en musique portent sur le...