This exhibition catalogue accompanies a series of prints by the Chapman brothers entitled “The Disasters of War,” which was inspired by Goya’s series of the same name. Aquin underlines how the Chapman brothers’ imagery, which combines symbols of fertility and violence, supports the theory that war is a biological function. The author describes the hallucinatory quality of the works which he claims reflect “the cannibalistic ritual of art.” Biographical notes
This disturbing painting is one of the fourteen known as the black paintings with which Goya decor...
This is War! The Pain, Power, and Paradox of Images October 5 to April 4, 2008 Joel and Lila Harnett...
The present work Francisco de Goya: Los Caprichos (Caprices) is dedicated to the analysis of the Fra...
This exhibition catalogue accompanies a series of prints by the Chapman brothers entitled “The Disas...
The article in an attempt to show a certain group of views about war. Within this group war is treat...
Here a little research on recent artist’s exhibitions gathering their “disaster” pieces... "Goya: Th...
Images of war are ubiquitous throughout the history of art, and they have a constant presence in our...
Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War im...
Francisco de Goya was a Spanish painter during the 18th and 19th centuries whose body of work, paire...
Analyzes how Hemingway transforms the visual qualities of the Spanish painter into verbal images, es...
While the popular belief that Francisco de Goya (1746–1828) turned suddenly to dark, irrational subj...
This paper compares the works of Jacques Callot, Francesco Goya, and Pablo Picasso in their represen...
Beyond the narrow circle of art criticism, the late phase of Goya's painting, which corresponds to t...
Ausgehend von einer historischen Untersuchung der zeichnerischen Darstellung von Katastrophen beginn...
Francisco de Goya's testimony to trauma, The Disasters of War (1810–20), is conditioned by the parad...
This disturbing painting is one of the fourteen known as the black paintings with which Goya decor...
This is War! The Pain, Power, and Paradox of Images October 5 to April 4, 2008 Joel and Lila Harnett...
The present work Francisco de Goya: Los Caprichos (Caprices) is dedicated to the analysis of the Fra...
This exhibition catalogue accompanies a series of prints by the Chapman brothers entitled “The Disas...
The article in an attempt to show a certain group of views about war. Within this group war is treat...
Here a little research on recent artist’s exhibitions gathering their “disaster” pieces... "Goya: Th...
Images of war are ubiquitous throughout the history of art, and they have a constant presence in our...
Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War im...
Francisco de Goya was a Spanish painter during the 18th and 19th centuries whose body of work, paire...
Analyzes how Hemingway transforms the visual qualities of the Spanish painter into verbal images, es...
While the popular belief that Francisco de Goya (1746–1828) turned suddenly to dark, irrational subj...
This paper compares the works of Jacques Callot, Francesco Goya, and Pablo Picasso in their represen...
Beyond the narrow circle of art criticism, the late phase of Goya's painting, which corresponds to t...
Ausgehend von einer historischen Untersuchung der zeichnerischen Darstellung von Katastrophen beginn...
Francisco de Goya's testimony to trauma, The Disasters of War (1810–20), is conditioned by the parad...
This disturbing painting is one of the fourteen known as the black paintings with which Goya decor...
This is War! The Pain, Power, and Paradox of Images October 5 to April 4, 2008 Joel and Lila Harnett...
The present work Francisco de Goya: Los Caprichos (Caprices) is dedicated to the analysis of the Fra...