This paper compares the works of Jacques Callot, Francesco Goya, and Pablo Picasso in their representations of war as gruesome. Each of these artists lived through war and captured the instances in time that stood out to them, and used art to portray the horrors of those moments to the world. While many artists throughout history have demonstrated war as heroic, mighty generals as stoic, or battles as exciting, these three artists represent the darker sides of war through depiction with their use style, color, and imagery. Demonization was used by these artists to brutalize the enemy, condemning them forever through oils, etches, and Cubism. Finally, their use of drama was used to pull in their audience and invite them into a world of trage...
This paper analyzes the responses of American and European artists to the War in Iraq, specifically ...
This dissertation investigates a neglected, yet central component of nineteenth-century visual cultu...
From Introduction: We not only tolerate violence, we put it on the front pages of our newspapers. On...
The present research deals mainly with the terror inflicted by the military and with the fact and co...
Images of war are ubiquitous throughout the history of art, and they have a constant presence in our...
Goya\u27s painting has historical significance, as well as a social message that he wanted to send t...
In this study, the personal attitudes of the artists towards the wars of the recent history are appr...
Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War im...
This article deals in the main with Jacques Callot's early life in Italy and with his later lif...
This is War! The Pain, Power, and Paradox of Images October 5 to April 4, 2008 Joel and Lila Harnett...
This article springs off as an answer to the question of whether we can consider art, as a testimoni...
A well known fact about any work of art of any significance is its power to upset current convention...
This paper examines the artists sent to the Western Front under Britain’s official war artists initi...
Contemporary war and the aesthetic tensions of Modernism have some common traits that might illumina...
This exhibition catalogue accompanies a series of prints by the Chapman brothers entitled “The Disas...
This paper analyzes the responses of American and European artists to the War in Iraq, specifically ...
This dissertation investigates a neglected, yet central component of nineteenth-century visual cultu...
From Introduction: We not only tolerate violence, we put it on the front pages of our newspapers. On...
The present research deals mainly with the terror inflicted by the military and with the fact and co...
Images of war are ubiquitous throughout the history of art, and they have a constant presence in our...
Goya\u27s painting has historical significance, as well as a social message that he wanted to send t...
In this study, the personal attitudes of the artists towards the wars of the recent history are appr...
Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War im...
This article deals in the main with Jacques Callot's early life in Italy and with his later lif...
This is War! The Pain, Power, and Paradox of Images October 5 to April 4, 2008 Joel and Lila Harnett...
This article springs off as an answer to the question of whether we can consider art, as a testimoni...
A well known fact about any work of art of any significance is its power to upset current convention...
This paper examines the artists sent to the Western Front under Britain’s official war artists initi...
Contemporary war and the aesthetic tensions of Modernism have some common traits that might illumina...
This exhibition catalogue accompanies a series of prints by the Chapman brothers entitled “The Disas...
This paper analyzes the responses of American and European artists to the War in Iraq, specifically ...
This dissertation investigates a neglected, yet central component of nineteenth-century visual cultu...
From Introduction: We not only tolerate violence, we put it on the front pages of our newspapers. On...