Add to ORKGQuinton’s curatorial essay on Morton’s knitted sculptures focuses on three projects: the “Newsflash” (1995) and “Wool Work” (2000) exhibitions and the outdoor installation “Cozy” (1999 and 2000). Quinton provides detailed descriptions of the projects, and suggests Morton’s repetitive, labour-intensive process draws attention to relationships between knitting and memory, art and craft. Issues of domesticity and ritual are also discussed. Includes list of works. Brief biographical notes. 11 bibl. ref
This paper explores the proliferation of sculptural forms made exclusively by crocheting. Crochet is...
Interviews conducted for Yarns: Community, Creativity, and Craft in the Textile Arts explore the int...
Robins’ ‘The perfect’ is an illustrated chapter in the book, In the Loop: Knitting Now, edited by Dr...
Quinton’s curatorial essay on Morton’s knitted sculptures focuses on three projects: the “Newsflash”...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Despite, or perhaps because of its familiar role in society, knitting has often been considered as ...
Type of work : Novel Extent : 272 pages"It's been ten months since Jack died. For his widow, Sandra,...
Janet Peter has been working with the Craft Council of Newfoundland and Labrador for approximately 2...
This essay was contributed to a book published on the occasion of 'The Cutting Edge', a major tourin...
Craft practice has in recent years been largely absent from contemporary dialogues within art and de...
The contemporary interest in knitting and more broadly in all types of making has gained noticeable ...
This thesis explores the interrelationships between Author-Practitioner-Researcher (APR), material a...
At mid 20th century, hand knitting in the United States was practiced as a minor and fading chore of...
In 1978, Mary Walker Phillips won the American Craft Council Fellows Award for being the first to i...
Knitting is ubiquitous, an unremarkable part of everyday life that tends to fade into the historical...
This paper explores the proliferation of sculptural forms made exclusively by crocheting. Crochet is...
Interviews conducted for Yarns: Community, Creativity, and Craft in the Textile Arts explore the int...
Robins’ ‘The perfect’ is an illustrated chapter in the book, In the Loop: Knitting Now, edited by Dr...
Quinton’s curatorial essay on Morton’s knitted sculptures focuses on three projects: the “Newsflash”...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Despite, or perhaps because of its familiar role in society, knitting has often been considered as ...
Type of work : Novel Extent : 272 pages"It's been ten months since Jack died. For his widow, Sandra,...
Janet Peter has been working with the Craft Council of Newfoundland and Labrador for approximately 2...
This essay was contributed to a book published on the occasion of 'The Cutting Edge', a major tourin...
Craft practice has in recent years been largely absent from contemporary dialogues within art and de...
The contemporary interest in knitting and more broadly in all types of making has gained noticeable ...
This thesis explores the interrelationships between Author-Practitioner-Researcher (APR), material a...
At mid 20th century, hand knitting in the United States was practiced as a minor and fading chore of...
In 1978, Mary Walker Phillips won the American Craft Council Fellows Award for being the first to i...
Knitting is ubiquitous, an unremarkable part of everyday life that tends to fade into the historical...
This paper explores the proliferation of sculptural forms made exclusively by crocheting. Crochet is...
Interviews conducted for Yarns: Community, Creativity, and Craft in the Textile Arts explore the int...
Robins’ ‘The perfect’ is an illustrated chapter in the book, In the Loop: Knitting Now, edited by Dr...