This paper explores the proliferation of sculptural forms made exclusively by crocheting. Crochet is explored as a tool and medium that create sculptural forms and installations of grand scale. My presentation compares and contrasts the connections between personal and private space as they are presented in the artwork of Andrea Zittle “Uniform Project” with the public and collective artwork of artist, Jennifer Marsh, and her “International Fabric Collective” project. The scope and scale in which these artists work present two different methodologies for developing large-scale projects that are based on the use of crochet techniques
Using contemporary embroidered artwork as a bellwether for changing social relationships, this paper...
This thesis explores the interrelationships between Author-Practitioner-Researcher (APR), material a...
Contemporary works made of fiber or incorporating textile techniques frequently encounter an identit...
It was a pleasantly warm January afternoon when I walked in to the Knoxville Art Museum for the open...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...
© 2015 Intellect Ltd Article. Within the shifting territories of craft practice, the handmade has be...
In her 1965 essay On Weaving, the artist Anni Albers stated, “As it is possible to go from any place...
A paper based around a selection of my own knitted works, Knitted Homes of Crime (2002), How to make...
The paper draws together 20 years of reflective, interdisciplinary practice, focusing on the researc...
Small hand-knitted little cozies appear in my local neighborhood; overgrown weeds in an urban commun...
In a changing world everyone crafts, designs and engages in making: each individual person and each ...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
This panel discussion provided a forum for an exploration of the place and meaning of contemporary t...
Seamlessness in traditional airbrush aesthetics reflects a desire to pursue technical excellence and...
The goal of my dissertation is to explore and present textiles as artistic material. I will briefly ...
Using contemporary embroidered artwork as a bellwether for changing social relationships, this paper...
This thesis explores the interrelationships between Author-Practitioner-Researcher (APR), material a...
Contemporary works made of fiber or incorporating textile techniques frequently encounter an identit...
It was a pleasantly warm January afternoon when I walked in to the Knoxville Art Museum for the open...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...
© 2015 Intellect Ltd Article. Within the shifting territories of craft practice, the handmade has be...
In her 1965 essay On Weaving, the artist Anni Albers stated, “As it is possible to go from any place...
A paper based around a selection of my own knitted works, Knitted Homes of Crime (2002), How to make...
The paper draws together 20 years of reflective, interdisciplinary practice, focusing on the researc...
Small hand-knitted little cozies appear in my local neighborhood; overgrown weeds in an urban commun...
In a changing world everyone crafts, designs and engages in making: each individual person and each ...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
This panel discussion provided a forum for an exploration of the place and meaning of contemporary t...
Seamlessness in traditional airbrush aesthetics reflects a desire to pursue technical excellence and...
The goal of my dissertation is to explore and present textiles as artistic material. I will briefly ...
Using contemporary embroidered artwork as a bellwether for changing social relationships, this paper...
This thesis explores the interrelationships between Author-Practitioner-Researcher (APR), material a...
Contemporary works made of fiber or incorporating textile techniques frequently encounter an identit...