Add to ORKGRoenisch's reflections on von Tiesenhausen's work foregrounds the artist's spiritual connections with the land, nature and the elements (earth, air, water, fire). Includes numerous quotations of statements by the artist. Biographical notes. 1 bibl. ref
German authors like Johann Wolfgang von Goethe and Friedrich von Hardenberg, known as Novalis, left ...
Campbell examines Krausz's landscapes through their relationship to memory and time, while also unde...
The relationship with nature through art has been explored as a two fold bond. The first considers a...
Roenisch's reflections on von Tiesenhausen's work foregrounds the artist's spiritual connections wit...
Ginn contextualizes von Tiesenhausen's multi-media installation by referring to the artist's explora...
In a brief interview, Von Tiesenhausen discusses his “borderline” atheism in relation to his use of ...
Thompson situates von Tiesenhausen's work within the contexts of contemporary media culture, moderni...
Osterwold inquires into the essence - the physical and organic properties and figurative meaning - o...
Nils-Udo uses the outdoors as a symbol of infinite space, Verschueren imparts theatricality to inter...
Dompierre describes the metamorphosis inherent to Ciesluk's outdoor landworks and the process by whi...
Features an essay on the relationship between the monument and photography. Biographical notes
Looking at Reitzenstein's work in relation to alchemy, aboriginal culture, and ecological concerns, ...
Graham discusses Wehr's moody skyscape paintings and meticoulus ink drawings. Biographical notes
Dufour-Kowalska Gabrielle. Rolf Kühn, Ästhetische Existenz heute. Zum Verhältnis von Leben und Kunst...
M. K. Čiurlionis has been called a Symbolist, painting not representations of nature but creations o...
German authors like Johann Wolfgang von Goethe and Friedrich von Hardenberg, known as Novalis, left ...
Campbell examines Krausz's landscapes through their relationship to memory and time, while also unde...
The relationship with nature through art has been explored as a two fold bond. The first considers a...
Roenisch's reflections on von Tiesenhausen's work foregrounds the artist's spiritual connections wit...
Ginn contextualizes von Tiesenhausen's multi-media installation by referring to the artist's explora...
In a brief interview, Von Tiesenhausen discusses his “borderline” atheism in relation to his use of ...
Thompson situates von Tiesenhausen's work within the contexts of contemporary media culture, moderni...
Osterwold inquires into the essence - the physical and organic properties and figurative meaning - o...
Nils-Udo uses the outdoors as a symbol of infinite space, Verschueren imparts theatricality to inter...
Dompierre describes the metamorphosis inherent to Ciesluk's outdoor landworks and the process by whi...
Features an essay on the relationship between the monument and photography. Biographical notes
Looking at Reitzenstein's work in relation to alchemy, aboriginal culture, and ecological concerns, ...
Graham discusses Wehr's moody skyscape paintings and meticoulus ink drawings. Biographical notes
Dufour-Kowalska Gabrielle. Rolf Kühn, Ästhetische Existenz heute. Zum Verhältnis von Leben und Kunst...
M. K. Čiurlionis has been called a Symbolist, painting not representations of nature but creations o...
German authors like Johann Wolfgang von Goethe and Friedrich von Hardenberg, known as Novalis, left ...
Campbell examines Krausz's landscapes through their relationship to memory and time, while also unde...
The relationship with nature through art has been explored as a two fold bond. The first considers a...