Add to ORKGCampbell examines Krausz's landscapes through their relationship to memory and time, while also underlining their uncanny atmosphere. He elaborates on the artist's technique and use of nature as an evocation of past lives. Biographical notes. 55 bibl. ref
There are varieties of visions, visual solutions and plastic relations for various painting topics, ...
Bailey reflects on the poetry of landscape in relation to Patricia and Robert Campbell's approach to...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
Campbell examines Krausz's landscapes through their relationship to memory and time, while also unde...
Campbell views Krausz's work on site as an extension of memory and emphasizes the solemn nature of t...
Retrospective of paintings by the artist of Romanian origin, made between 1992 and 1998 around the c...
Daigneault believes that by referring to history in an ambiguous way and challenging disciplinary co...
Stating that Krause's images are inspired by the landscape, Whyte describes the artist's elaboration...
In his presentation of works by six artists, Krausz acknowledges the trend towards subjective and ob...
KLEINERT Corina Peter Paul Rubens (1577-1640) and his landscapes : ideas on nature and art Turnhout ...
La force du désir, a novel by Marie Krysinska, encourages the reader through the quasi-ekphrasis to ...
Dompierre describes the metamorphosis inherent to Ciesluk's outdoor landworks and the process by whi...
In his introductory text for Kroeger’s book of photographs from the Canadian Rockies, Manguel compar...
Nils-Udo uses the outdoors as a symbol of infinite space, Verschueren imparts theatricality to inter...
The text focusses on the importance of memory in the art practice of Georg Guðni and the role memory...
There are varieties of visions, visual solutions and plastic relations for various painting topics, ...
Bailey reflects on the poetry of landscape in relation to Patricia and Robert Campbell's approach to...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
Campbell examines Krausz's landscapes through their relationship to memory and time, while also unde...
Campbell views Krausz's work on site as an extension of memory and emphasizes the solemn nature of t...
Retrospective of paintings by the artist of Romanian origin, made between 1992 and 1998 around the c...
Daigneault believes that by referring to history in an ambiguous way and challenging disciplinary co...
Stating that Krause's images are inspired by the landscape, Whyte describes the artist's elaboration...
In his presentation of works by six artists, Krausz acknowledges the trend towards subjective and ob...
KLEINERT Corina Peter Paul Rubens (1577-1640) and his landscapes : ideas on nature and art Turnhout ...
La force du désir, a novel by Marie Krysinska, encourages the reader through the quasi-ekphrasis to ...
Dompierre describes the metamorphosis inherent to Ciesluk's outdoor landworks and the process by whi...
In his introductory text for Kroeger’s book of photographs from the Canadian Rockies, Manguel compar...
Nils-Udo uses the outdoors as a symbol of infinite space, Verschueren imparts theatricality to inter...
The text focusses on the importance of memory in the art practice of Georg Guðni and the role memory...
There are varieties of visions, visual solutions and plastic relations for various painting topics, ...
Bailey reflects on the poetry of landscape in relation to Patricia and Robert Campbell's approach to...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...