Add to ORKGGrandbois introduces Vincent's paintings and prints from 1992 to 1998, analysing the artist's main source of inspiration - the body - while describing his use of the three studios he frequents. Includes a text by Vincent on humour in art. Texts in English, French and Japanese. Biographical notes on artist and author
Morin explores the multiple connotations of "work" in Coutellier's multimedia works. Lawlor discusse...
Ayroles Véronique. Un artiste- décorateur et sa galerie au XXe siècle : François Décorchemont et la ...
International audienceThe work of François Place is at the intersection of documentary and fiction, ...
Grandbois introduces Vincent's paintings and prints from 1992 to 1998, analysing the artist's main s...
In a catalogue reproducing video sequences, photographs, and sculptures by Belgian artist François, ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
Examining the artist's paintings, Millard compares Vincent to folk artists in his interest in depict...
Includes bibliographical references (pages 123-128)Gen Paul, a major French expressionist painter, c...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
The author relates Gérin's folded canvas paintings to the artist's studio. Biographical notes
Official publication to accompany the important exhibition Vincent's Choice, Van Gogh's 'musee imagi...
In this richly illustrated booklet, the author describes Béliveau’s most recent paintings, which dep...
The authors outline the history of relations between Canada's west coast, particularly Native art, a...
Thériault situates Alÿs’ “Last Clown” exhibition within the context of his previous works based on w...
Mutis Santiago. Antonin Artaud escribe sobre el artista Vincent Van Gogh. In: Caravelle, n°80, 2003....
Morin explores the multiple connotations of "work" in Coutellier's multimedia works. Lawlor discusse...
Ayroles Véronique. Un artiste- décorateur et sa galerie au XXe siècle : François Décorchemont et la ...
International audienceThe work of François Place is at the intersection of documentary and fiction, ...
Grandbois introduces Vincent's paintings and prints from 1992 to 1998, analysing the artist's main s...
In a catalogue reproducing video sequences, photographs, and sculptures by Belgian artist François, ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
Examining the artist's paintings, Millard compares Vincent to folk artists in his interest in depict...
Includes bibliographical references (pages 123-128)Gen Paul, a major French expressionist painter, c...
Lussier considers Lacasse’s production from 1992 to 2002, describing the painter’s use of colour, mo...
The author relates Gérin's folded canvas paintings to the artist's studio. Biographical notes
Official publication to accompany the important exhibition Vincent's Choice, Van Gogh's 'musee imagi...
In this richly illustrated booklet, the author describes Béliveau’s most recent paintings, which dep...
The authors outline the history of relations between Canada's west coast, particularly Native art, a...
Thériault situates Alÿs’ “Last Clown” exhibition within the context of his previous works based on w...
Mutis Santiago. Antonin Artaud escribe sobre el artista Vincent Van Gogh. In: Caravelle, n°80, 2003....
Morin explores the multiple connotations of "work" in Coutellier's multimedia works. Lawlor discusse...
Ayroles Véronique. Un artiste- décorateur et sa galerie au XXe siècle : François Décorchemont et la ...
International audienceThe work of François Place is at the intersection of documentary and fiction, ...