As the title suggests, this exhibition catalogue concerns the work of six British women artists whose work centres on the theme of gender construction and radical feminism. Smyth claims that this show celebrates the multiple feminism of the 1990s, while Cottingham sees the work as a challenge to the tyranny of formalism and draws comparisons with the 1970s U.S. feminist art concerns. Biographical notes. Circa 100 bibl. ref
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of w...
Feminist practitioners such as Barbara Kruger, Mary Kelly and Narelle Jubelin have made an important...
Includes bibliographical references (pages [62]-65)This thesis explored the lives, thoughts, and exp...
As the title suggests, this exhibition catalogue concerns the work of six British women artists whos...
Group exhibition Liberties presents a snapshot of the evolving conversations that have contributed t...
What happens to art when feminism grips the curatorial imagination? How do sexual politics become re...
What makes art feminist art? There can be no essential feminist aesthetic, argues Kathy Battista...
This exhibition catalogue documents the work of 24 (mainly) American artists, and features four essa...
Taking the Women's Weekend Conference held at Ruskin College, Oxford as my starting point, this thes...
"The group exhibition WOMAN : The Feminist Avant-Garde of the 1970s: Works from the SAMMLUNG VERBUND...
“Conversation Piece” is a British Art Studies series that draws together a group of contributors to ...
Alicia Foster (Surrey Institute of Art and Design, UK, now University for the Creative Arts) present...
Duke provides descriptions of the works in the exhibition, while situating her curatorial role withi...
Adopting a dialogue format, curators Elliott and Williamson outline the strategies of contemporary f...
During the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum ...
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of w...
Feminist practitioners such as Barbara Kruger, Mary Kelly and Narelle Jubelin have made an important...
Includes bibliographical references (pages [62]-65)This thesis explored the lives, thoughts, and exp...
As the title suggests, this exhibition catalogue concerns the work of six British women artists whos...
Group exhibition Liberties presents a snapshot of the evolving conversations that have contributed t...
What happens to art when feminism grips the curatorial imagination? How do sexual politics become re...
What makes art feminist art? There can be no essential feminist aesthetic, argues Kathy Battista...
This exhibition catalogue documents the work of 24 (mainly) American artists, and features four essa...
Taking the Women's Weekend Conference held at Ruskin College, Oxford as my starting point, this thes...
"The group exhibition WOMAN : The Feminist Avant-Garde of the 1970s: Works from the SAMMLUNG VERBUND...
“Conversation Piece” is a British Art Studies series that draws together a group of contributors to ...
Alicia Foster (Surrey Institute of Art and Design, UK, now University for the Creative Arts) present...
Duke provides descriptions of the works in the exhibition, while situating her curatorial role withi...
Adopting a dialogue format, curators Elliott and Williamson outline the strategies of contemporary f...
During the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum ...
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of w...
Feminist practitioners such as Barbara Kruger, Mary Kelly and Narelle Jubelin have made an important...
Includes bibliographical references (pages [62]-65)This thesis explored the lives, thoughts, and exp...