“Conversation Piece” is a British Art Studies series that draws together a group of contributors to respond in 500 words to an idea, provocation or question. ‘Still Invisible?’ is a “Conversation Piece” coordinated by Patricia de Montfort (University of Glasgow) and Robyne Erica Calvert (The Glasgow School of Art) in Issue 2. It asks the question ‘Is the work of women artists on display in museums and galleries?’ British Art Studies is an online journal which is peer-reviewed, created by Paul Mellon Centre and the Yale Center for British Art. The other contributors include: Alice Strang (Senior curator, Scottish National Gallery of Modern Art); Joanna Meacock (Curator of British Art, Glasgow Museums); Sophie Hatchwell, University of Bristol...
Freddie Robins discusses her practice with curators Day+Gluckman in the context of textiles, feminis...
Editorial for a co-edited special issue of the journal Visual Culture in Britain, published by Taylo...
When it comes to the representation of women artists either in art historical research, in the media...
Provocation piece that queries the visibility of women artists in public UK collections, and problem...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
Gender Inequality in the Arts, is a research based installation project that aims to explore the way...
A discussion between Pauline Boudry and Renate Lorenz, Artists, Berlin; Angela Dimitrakaki, Senior L...
Does women's work in British public collections receive curatorial care and scholarly attention? And...
This article is based on interviews with the curators of two large feminist art exhibitions which op...
Nochlin‘s 1971 essay Why Have There Been No Great Women Artists? highlighted the barriers that women...
This special exhibition of the permanent collection focuses exclusively on the contributions of Amer...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
Gender Inequality in the Arts, is a research based installation project that aims to explore the way...
Remember that ludicrous question, Why are there no great women artists ? As we strolled through Wo...
Linda Nochlin’s seminal 1971 essay, “Why Have There Been No Great Women Artists?” was at the fore of...
Freddie Robins discusses her practice with curators Day+Gluckman in the context of textiles, feminis...
Editorial for a co-edited special issue of the journal Visual Culture in Britain, published by Taylo...
When it comes to the representation of women artists either in art historical research, in the media...
Provocation piece that queries the visibility of women artists in public UK collections, and problem...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
Gender Inequality in the Arts, is a research based installation project that aims to explore the way...
A discussion between Pauline Boudry and Renate Lorenz, Artists, Berlin; Angela Dimitrakaki, Senior L...
Does women's work in British public collections receive curatorial care and scholarly attention? And...
This article is based on interviews with the curators of two large feminist art exhibitions which op...
Nochlin‘s 1971 essay Why Have There Been No Great Women Artists? highlighted the barriers that women...
This special exhibition of the permanent collection focuses exclusively on the contributions of Amer...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
Gender Inequality in the Arts, is a research based installation project that aims to explore the way...
Remember that ludicrous question, Why are there no great women artists ? As we strolled through Wo...
Linda Nochlin’s seminal 1971 essay, “Why Have There Been No Great Women Artists?” was at the fore of...
Freddie Robins discusses her practice with curators Day+Gluckman in the context of textiles, feminis...
Editorial for a co-edited special issue of the journal Visual Culture in Britain, published by Taylo...
When it comes to the representation of women artists either in art historical research, in the media...