Add to ORKGCatalogue of a retrospective exhibition of Meredith's oil paintings and works on paper. Fleming gives an appreciation of the artist's work to date and presents him as a solitary, inner-looking person. Biographical notes. 2 bibl. ref
Photocopy.Includes a second copy of the catalogue with prices in ms. and the invitation to the exhib...
Presenting Kenneth Lochhead's work from 1952 to 1975, Douglas Lochhead remenisces on the artist's ea...
Scott's pictorial practice and the exposure of his work abroad are briefly described. Biographical n...
Thom analyses Meredith's abstract drawings from 1957 to 1980 which, he asserts, employ vivid colour ...
Boyle reflects on art and on his work within the relative marginality of the Canadian context. In su...
Published on the occasion of a retrospective exhibition, this catalogue takes a biographical form to...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Will offers an autobiographical account of several of his prints with a comment by Spalding on the a...
Fleming outlines Favro's life and the development of his projected reconstructions and technical obj...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Bruce highlights the artist's technical skill and personal approach to photography. Biographical not...
This catalogue takes as its subject the life and work of painter Mitchell in seven chronologically-b...
For a retrospective exhibition, texts by Withrow, Bice and Mastin celebrate Saltmarche's career as a...
"The Percival Ritchie retrospective exhibition is a significant event in itself. It is the artist's ...
Introducing a retrospective exhibition of Colville's recent work, Fry analyses 22 paintings and 10 s...
Photocopy.Includes a second copy of the catalogue with prices in ms. and the invitation to the exhib...
Presenting Kenneth Lochhead's work from 1952 to 1975, Douglas Lochhead remenisces on the artist's ea...
Scott's pictorial practice and the exposure of his work abroad are briefly described. Biographical n...
Thom analyses Meredith's abstract drawings from 1957 to 1980 which, he asserts, employ vivid colour ...
Boyle reflects on art and on his work within the relative marginality of the Canadian context. In su...
Published on the occasion of a retrospective exhibition, this catalogue takes a biographical form to...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Will offers an autobiographical account of several of his prints with a comment by Spalding on the a...
Fleming outlines Favro's life and the development of his projected reconstructions and technical obj...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Bruce highlights the artist's technical skill and personal approach to photography. Biographical not...
This catalogue takes as its subject the life and work of painter Mitchell in seven chronologically-b...
For a retrospective exhibition, texts by Withrow, Bice and Mastin celebrate Saltmarche's career as a...
"The Percival Ritchie retrospective exhibition is a significant event in itself. It is the artist's ...
Introducing a retrospective exhibition of Colville's recent work, Fry analyses 22 paintings and 10 s...
Photocopy.Includes a second copy of the catalogue with prices in ms. and the invitation to the exhib...
Presenting Kenneth Lochhead's work from 1952 to 1975, Douglas Lochhead remenisces on the artist's ea...
Scott's pictorial practice and the exposure of his work abroad are briefly described. Biographical n...