Add to ORKGBrougher demonstrate the extent of abstraction's return as a critical force today. The author briefly recounts the main movements in the history of abstraction, and then describes the work of ten contemporay artists. Biographical notes. 20 bibl. ref
The three-part text – as the title suggests – involves multifaceted problem of abstraction. Part I. ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Situating the work of nine interntaional artists between figurative and non-figurative art, Ferguson...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
The political nature of abstraction presented from an artist’s point of view – one who considers the...
At the beginning of the twentieth century, artists interested in abstract art had to make, in a sens...
How a painting “is”, the nature of its being, is partially determined by tools such as paint, canvas...
This dissertation presents a history of the development of abstract art in the 1920s and 1930s, the ...
For this exhibition catalogue, co-curators J. Nasby and Shuebrook describe the works of six Canadian...
An investigation of the consequences of pluralism for abstract painting. A central theme examines th...
In a given social context, artistic creation comprises a set of processes, which relate to the activ...
The problem indicated in the title of the article seems to be a matter of aesthetics which need at l...
Defining modernism, abstraction and, non-objectivity, Burrell describes six artists' work and concer...
In a brief text, Ménard traces the emergence of abstraction in the visual arts in Canada. Biographic...
The three-part text – as the title suggests – involves multifaceted problem of abstraction. Part I. ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Situating the work of nine interntaional artists between figurative and non-figurative art, Ferguson...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
The political nature of abstraction presented from an artist’s point of view – one who considers the...
At the beginning of the twentieth century, artists interested in abstract art had to make, in a sens...
How a painting “is”, the nature of its being, is partially determined by tools such as paint, canvas...
This dissertation presents a history of the development of abstract art in the 1920s and 1930s, the ...
For this exhibition catalogue, co-curators J. Nasby and Shuebrook describe the works of six Canadian...
An investigation of the consequences of pluralism for abstract painting. A central theme examines th...
In a given social context, artistic creation comprises a set of processes, which relate to the activ...
The problem indicated in the title of the article seems to be a matter of aesthetics which need at l...
Defining modernism, abstraction and, non-objectivity, Burrell describes six artists' work and concer...
In a brief text, Ménard traces the emergence of abstraction in the visual arts in Canada. Biographic...
The three-part text – as the title suggests – involves multifaceted problem of abstraction. Part I. ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Situating the work of nine interntaional artists between figurative and non-figurative art, Ferguson...