Add to ORKGMurray examines the significance of an exhibition of seven painters (the forming members of Painters Eleven) at Simpsons' in Toronto (1953) on the birth of abstraction in Ontario. The author traces the artists' influences and the role played by commercial art in the movement's exposure, and ultimate acceptance. 13 bibl. ref
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Fenton outlines the origin of the Emma Lake Worshops and their influence on the development of abstr...
Swain discusses the new generation of abstract artists in Ontario represented during the Montréal Ol...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
An examination of various practices of abstract art practices in Canada in the 1950s. Leclerc presen...
McNairn outlines the development of abstract art in Canada. Includes biographical notes on the eight...
The exhibition, The Reality of Abstraction: Painting in Utah, 1946-1996, has been carefully organize...
For this exhibition catalogue, co-curators J. Nasby and Shuebrook describe the works of six Canadian...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
In a brief text, Ménard traces the emergence of abstraction in the visual arts in Canada. Biographic...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
This publication contains papers presented at a symposium on contemporary abstract painting in New Y...
grantor: University of TorontoArt and Social Progress: The Toronto community of Painters, ...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Fenton outlines the origin of the Emma Lake Worshops and their influence on the development of abstr...
Swain discusses the new generation of abstract artists in Ontario represented during the Montréal Ol...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
An examination of various practices of abstract art practices in Canada in the 1950s. Leclerc presen...
McNairn outlines the development of abstract art in Canada. Includes biographical notes on the eight...
The exhibition, The Reality of Abstraction: Painting in Utah, 1946-1996, has been carefully organize...
For this exhibition catalogue, co-curators J. Nasby and Shuebrook describe the works of six Canadian...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
In a brief text, Ménard traces the emergence of abstraction in the visual arts in Canada. Biographic...
In a catalogue addressing the question of recent works in abstraction by eight American artists, Kin...
An historical and typological survey of abstract art in the twentieth century, rejecting the widely ...
This publication contains papers presented at a symposium on contemporary abstract painting in New Y...
grantor: University of TorontoArt and Social Progress: The Toronto community of Painters, ...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Fenton outlines the origin of the Emma Lake Worshops and their influence on the development of abstr...