Add to ORKGAnalyzing photographic work by two Canadian artists, Sloane identifies Robins' questioning on the status of women and the aesthetic of dirt, and Tenhaaf's reflection on the relationship between feminity and technology. Biographical notes. 16 bibl. ref
Allen analyses portraits by five Canadian photographers, which reveal the interaction and collaborat...
Traer considers the relation that is set up between the photographs and objects in works by four Can...
Curator Rosenberg problematizes the notions surrounding "feminism" and "women's art" in her discussi...
Analyzing photographic work by two Canadian artists, Sloane identifies Robins' questioning on the st...
Pontbriand examines the artists' work and concerns in painting, photography and video. Includes essa...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
Allen analyses how works in various media by six Canadian artists touch on specific aspects of femal...
Nell Tenhaaf's recent survey, "Fit/Unfit," at the Robert McLaughlin Gallery in Oshawa, illustrates h...
In this tabloid format catalogue, two Newfoundland artists are interviewed separately on their work ...
Lanzinger's essay on the influence of women photographers discusses their historical place and an em...
Elaine Showalter's gynocriticism focusses on the critical analysis of women as writers, this study a...
Outlining the situation of women artists, Mayo identifies the use of textures and seriality as chara...
Legge examines each artist's work, focusing on their use of painting to produce imaginative and surr...
A discussion of photo-based works acquired by the Banff Centre since 1988. Townsend-Gault looks at a...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Allen analyses portraits by five Canadian photographers, which reveal the interaction and collaborat...
Traer considers the relation that is set up between the photographs and objects in works by four Can...
Curator Rosenberg problematizes the notions surrounding "feminism" and "women's art" in her discussi...
Analyzing photographic work by two Canadian artists, Sloane identifies Robins' questioning on the st...
Pontbriand examines the artists' work and concerns in painting, photography and video. Includes essa...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
Allen analyses how works in various media by six Canadian artists touch on specific aspects of femal...
Nell Tenhaaf's recent survey, "Fit/Unfit," at the Robert McLaughlin Gallery in Oshawa, illustrates h...
In this tabloid format catalogue, two Newfoundland artists are interviewed separately on their work ...
Lanzinger's essay on the influence of women photographers discusses their historical place and an em...
Elaine Showalter's gynocriticism focusses on the critical analysis of women as writers, this study a...
Outlining the situation of women artists, Mayo identifies the use of textures and seriality as chara...
Legge examines each artist's work, focusing on their use of painting to produce imaginative and surr...
A discussion of photo-based works acquired by the Banff Centre since 1988. Townsend-Gault looks at a...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Allen analyses portraits by five Canadian photographers, which reveal the interaction and collaborat...
Traer considers the relation that is set up between the photographs and objects in works by four Can...
Curator Rosenberg problematizes the notions surrounding "feminism" and "women's art" in her discussi...