Add to ORKGIn this tabloid format catalogue, two Newfoundland artists are interviewed separately on their work centered on the male and female bodies. She, Golfman, addresses feminist problematics in her conversation with Stone; while he, Hanson, defends his small computerized images. Biographical notes
Through the 90s Gunn was keen to discuss her photography of the male body with students. 'Annette’s ...
Defining how Ibing re-positions the Gaze by painting the male nude and how her woodblock prints pres...
Newfoundland artist Puddester contributes an artist's statement revealing a little of the surprise s...
Analyzing photographic work by two Canadian artists, Sloane identifies Robins' questioning on the st...
Johnson introduces five Newfoundlander artists working in diverse media on the subject of identity. ...
Curator Rosenberg problematizes the notions surrounding "feminism" and "women's art" in her discussi...
To accompany an exhibition of works by nine Inuit women sculptors and printmakers, texts by Freeman,...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
This double-sided broadsheet describes the collaboration of Nova Scotia artists Steeves and MacKay i...
Maggie's sculptures and reliefs are composed of exaggerated fragments of the female body. She h...
Allen analyses how works in various media by six Canadian artists touch on specific aspects of femal...
Host Fred Hollingshurst interviews two owners of art galleries in downtown St. John's, Newfoundland:...
Palmer discusses the position Dunning's work takes in the power relations of gender, the art world a...
Brown underscores a commitment to Newfoundland experience in her presentation of works by Wright and...
Describing the social and cultural context of Winnipeg and 13 artists' works, Dahle argues that the ...
Through the 90s Gunn was keen to discuss her photography of the male body with students. 'Annette’s ...
Defining how Ibing re-positions the Gaze by painting the male nude and how her woodblock prints pres...
Newfoundland artist Puddester contributes an artist's statement revealing a little of the surprise s...
Analyzing photographic work by two Canadian artists, Sloane identifies Robins' questioning on the st...
Johnson introduces five Newfoundlander artists working in diverse media on the subject of identity. ...
Curator Rosenberg problematizes the notions surrounding "feminism" and "women's art" in her discussi...
To accompany an exhibition of works by nine Inuit women sculptors and printmakers, texts by Freeman,...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
This double-sided broadsheet describes the collaboration of Nova Scotia artists Steeves and MacKay i...
Maggie's sculptures and reliefs are composed of exaggerated fragments of the female body. She h...
Allen analyses how works in various media by six Canadian artists touch on specific aspects of femal...
Host Fred Hollingshurst interviews two owners of art galleries in downtown St. John's, Newfoundland:...
Palmer discusses the position Dunning's work takes in the power relations of gender, the art world a...
Brown underscores a commitment to Newfoundland experience in her presentation of works by Wright and...
Describing the social and cultural context of Winnipeg and 13 artists' works, Dahle argues that the ...
Through the 90s Gunn was keen to discuss her photography of the male body with students. 'Annette’s ...
Defining how Ibing re-positions the Gaze by painting the male nude and how her woodblock prints pres...
Newfoundland artist Puddester contributes an artist's statement revealing a little of the surprise s...