Add to ORKGFarr describes Dickson's prints as combining romantic, realist and symbolist tendencies which combine personal narratives with feminist and erotic themes. Biographical notes
Curator Jenkner discusses Duschenes’ series of four still lifes and four narrative paintings which i...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
New York artist Audrey Flack attained art-world fame for her Photorealist painting before turning to...
Collinson focuses on the notion of the artist as individual in her discussion of Dickson's fetish bo...
Koehler-Vandergraaf briefly delineates the historic, feminist and native themes in McIntyre's colour...
Defining collage as a way of working and thinking, Swain notes Dickson's use of different media and ...
In explaining the artist's interest in symbolism and romanticism, Langford cites Dickson's artistic ...
Defining how Ibing re-positions the Gaze by painting the male nude and how her woodblock prints pres...
Catalogue to accompany Martin’s exhibition of paintings, drawings and prints which were inspired by ...
Authoritative publication focusing on the role of theory in the evolution of feminist art. Phelan's ...
Through illustration, Goodall’s research questions the constructions of erotic art and how these mig...
Dikeakos mentions myth memory and fantasy as influences on her prints, while Sen refers to the synth...
In a catalogue documenting Wieland's drawings, Allen writes on the artist's work in terms of the the...
Thériault focuses on value as established through the framework of display in her analysis of Walker...
New York artist Audrey Flack attained art-world fame for her Photorealist painting before turning to...
Curator Jenkner discusses Duschenes’ series of four still lifes and four narrative paintings which i...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
New York artist Audrey Flack attained art-world fame for her Photorealist painting before turning to...
Collinson focuses on the notion of the artist as individual in her discussion of Dickson's fetish bo...
Koehler-Vandergraaf briefly delineates the historic, feminist and native themes in McIntyre's colour...
Defining collage as a way of working and thinking, Swain notes Dickson's use of different media and ...
In explaining the artist's interest in symbolism and romanticism, Langford cites Dickson's artistic ...
Defining how Ibing re-positions the Gaze by painting the male nude and how her woodblock prints pres...
Catalogue to accompany Martin’s exhibition of paintings, drawings and prints which were inspired by ...
Authoritative publication focusing on the role of theory in the evolution of feminist art. Phelan's ...
Through illustration, Goodall’s research questions the constructions of erotic art and how these mig...
Dikeakos mentions myth memory and fantasy as influences on her prints, while Sen refers to the synth...
In a catalogue documenting Wieland's drawings, Allen writes on the artist's work in terms of the the...
Thériault focuses on value as established through the framework of display in her analysis of Walker...
New York artist Audrey Flack attained art-world fame for her Photorealist painting before turning to...
Curator Jenkner discusses Duschenes’ series of four still lifes and four narrative paintings which i...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
New York artist Audrey Flack attained art-world fame for her Photorealist painting before turning to...