Add to ORKGKoehler-Vandergraaf briefly delineates the historic, feminist and native themes in McIntyre's colourful, embossed lithographs. The artist's material and intellectual processes are described as an accretion of textural and conceptual layers connoting the passage of time. Artist's statement. Biographical notes
Brianna Weissel Revisiting Memories During Winter Term while taking Photography 1 and living at home...
A catalogue of Wieland's retrospective exhibition assembling works from the 60's and 70's in such di...
Creating art allows me to delve into my mind and acknowledge specific memories and associations I ha...
Rosenberg's interpretation of McIntyre's exhibition "Road Stories" calls attention to how the artist...
Koehler-Vandergraaf notes the presence of the body and a female spirituality in Lamontagne MacDonald...
Farr describes Dickson's prints as combining romantic, realist and symbolist tendencies which combin...
Phoenix briefly examines the role of feminism and environmental issues in Vandergraaf's installation...
McCaugherty recounts stories of her life and of homesteading in Alberta, leading to her work as an a...
Date:1910Emily Kame Kngwarreye was born c1910 in Alhalkere, the Utopia area of Central Australia. Sh...
Many of the prints of Pauline Jakobsberg are quiet , reflective and intimate giving substance to a ...
In this interview printmaker E.J. Montgomery concisely discusses her art practice which spans over s...
Curator Jenkner discusses Duschenes’ series of four still lifes and four narrative paintings which i...
Many of the prints of Pauline Jakobsberg are quiet , reflective and intimate giving substance to a ...
Koehler-Vandergraaf assesses Zwicker's long career as an artist in Nova Scotia by examining watercol...
Artist Statement Kayleigh Doyle Moments captured by old photographs are intriguing and mysterious. I...
Brianna Weissel Revisiting Memories During Winter Term while taking Photography 1 and living at home...
A catalogue of Wieland's retrospective exhibition assembling works from the 60's and 70's in such di...
Creating art allows me to delve into my mind and acknowledge specific memories and associations I ha...
Rosenberg's interpretation of McIntyre's exhibition "Road Stories" calls attention to how the artist...
Koehler-Vandergraaf notes the presence of the body and a female spirituality in Lamontagne MacDonald...
Farr describes Dickson's prints as combining romantic, realist and symbolist tendencies which combin...
Phoenix briefly examines the role of feminism and environmental issues in Vandergraaf's installation...
McCaugherty recounts stories of her life and of homesteading in Alberta, leading to her work as an a...
Date:1910Emily Kame Kngwarreye was born c1910 in Alhalkere, the Utopia area of Central Australia. Sh...
Many of the prints of Pauline Jakobsberg are quiet , reflective and intimate giving substance to a ...
In this interview printmaker E.J. Montgomery concisely discusses her art practice which spans over s...
Curator Jenkner discusses Duschenes’ series of four still lifes and four narrative paintings which i...
Many of the prints of Pauline Jakobsberg are quiet , reflective and intimate giving substance to a ...
Koehler-Vandergraaf assesses Zwicker's long career as an artist in Nova Scotia by examining watercol...
Artist Statement Kayleigh Doyle Moments captured by old photographs are intriguing and mysterious. I...
Brianna Weissel Revisiting Memories During Winter Term while taking Photography 1 and living at home...
A catalogue of Wieland's retrospective exhibition assembling works from the 60's and 70's in such di...
Creating art allows me to delve into my mind and acknowledge specific memories and associations I ha...