Add to ORKGSilverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound sculptures. The artist reflects on the differences between the auditory and the visual
Canadian composer and acoustic ecologist R. Murray Schafer is known for his outdoor works. Other sch...
Bosseur analyzes musical notation, sound sculpture, performance, and "intermedia" experiments which ...
Pierre Schaeffer's magnum opus "Traité des objets musicaux " (1) was built on a struc...
Silverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound ...
National audienceL'objet sonore n'existe pas sans la notion phénoménologique d'écoute réduite. Elle ...
Sylvie Dallet, Pierre Schaeffer and the Revolution of Concrete Music Concrete music appears in the t...
In this chapter, revisiting the innovative approach to musical research undertaken by the French pio...
Cette thèse porte sur le concept d’objet sonore, élaboré par le fondateur du mouvement esthétique no...
‘Pierre Schaeffer's Typo-Morphology of Sonic Objects’ proposes to present to the English-speaking re...
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded env...
Cette recherche porte sur la manière dont le « son » s’est imposé comme objet spécifique dans les ar...
Cet article étudie la relation entre les objectifs relatifs à l'éducation musicale et ceux relatifs ...
This project will investigate the creation of sound sculptures as a unique creative medium, as well ...
An analysis of the relationship between Pierre Schaeffer and the musical avantgarde of 1953, with pa...
The work explores the complex relationship between architectural space, sound and memory. Each piece...
Canadian composer and acoustic ecologist R. Murray Schafer is known for his outdoor works. Other sch...
Bosseur analyzes musical notation, sound sculpture, performance, and "intermedia" experiments which ...
Pierre Schaeffer's magnum opus "Traité des objets musicaux " (1) was built on a struc...
Silverstein and Tyrell consider the visual and tactile nature of Schafer's musical scores and sound ...
National audienceL'objet sonore n'existe pas sans la notion phénoménologique d'écoute réduite. Elle ...
Sylvie Dallet, Pierre Schaeffer and the Revolution of Concrete Music Concrete music appears in the t...
In this chapter, revisiting the innovative approach to musical research undertaken by the French pio...
Cette thèse porte sur le concept d’objet sonore, élaboré par le fondateur du mouvement esthétique no...
‘Pierre Schaeffer's Typo-Morphology of Sonic Objects’ proposes to present to the English-speaking re...
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded env...
Cette recherche porte sur la manière dont le « son » s’est imposé comme objet spécifique dans les ar...
Cet article étudie la relation entre les objectifs relatifs à l'éducation musicale et ceux relatifs ...
This project will investigate the creation of sound sculptures as a unique creative medium, as well ...
An analysis of the relationship between Pierre Schaeffer and the musical avantgarde of 1953, with pa...
The work explores the complex relationship between architectural space, sound and memory. Each piece...
Canadian composer and acoustic ecologist R. Murray Schafer is known for his outdoor works. Other sch...
Bosseur analyzes musical notation, sound sculpture, performance, and "intermedia" experiments which ...
Pierre Schaeffer's magnum opus "Traité des objets musicaux " (1) was built on a struc...