Add to ORKGThe work explores the complex relationship between architectural space, sound and memory. Each piece is an enquiry into the ‘Sound Object’ as a phenomenological event, drawing from Pierre Schaeffer’s view that the Sound Object, ‘is a kind of phenomenological quest for the essence of sound’
As museums continue to search for new ways to attract visitors, recent trends within museum practice...
The discussion about the uses of the concept “musical object” highlights the difficulties of the pro...
Architecture is usually assessed through its visual appearance. The impression of a space, however, ...
This thesis is about sound and space, and is an exploration of sounds and spaces using Pierre Schaef...
One of Pierre Schaeffer’s achievements in his musical research was his proposal of the sound object ...
This installation is in response to a passage in Juhani Pallasmaa’s book The Eyes of the Skin. Palla...
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded env...
Cette thèse porte sur le concept d’objet sonore, élaboré par le fondateur du mouvement esthétique no...
The aim of this work is to research the relationships between abstract musical space and physical sp...
Architecture is not only a visual and physical phenomenon but also an instrument that tempers and co...
When you are listening carefully with your eyes closed, in a church, or a forest, you engage in atte...
Sound forms environment more pungently than what is normally called material space. Sound scapes, fr...
Seizing the sensitive turning point in the studies on inhabited spaces, this essay tries to clarify ...
Chord(s) for Objects is a 2-part installation of sound sculpture by Joshua Horsley and Alexander de ...
While the terms ‘musical object ’ and ‘sonic object’ (sometimes ‘music object ’ and ‘sound object’...
As museums continue to search for new ways to attract visitors, recent trends within museum practice...
The discussion about the uses of the concept “musical object” highlights the difficulties of the pro...
Architecture is usually assessed through its visual appearance. The impression of a space, however, ...
This thesis is about sound and space, and is an exploration of sounds and spaces using Pierre Schaef...
One of Pierre Schaeffer’s achievements in his musical research was his proposal of the sound object ...
This installation is in response to a passage in Juhani Pallasmaa’s book The Eyes of the Skin. Palla...
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded env...
Cette thèse porte sur le concept d’objet sonore, élaboré par le fondateur du mouvement esthétique no...
The aim of this work is to research the relationships between abstract musical space and physical sp...
Architecture is not only a visual and physical phenomenon but also an instrument that tempers and co...
When you are listening carefully with your eyes closed, in a church, or a forest, you engage in atte...
Sound forms environment more pungently than what is normally called material space. Sound scapes, fr...
Seizing the sensitive turning point in the studies on inhabited spaces, this essay tries to clarify ...
Chord(s) for Objects is a 2-part installation of sound sculpture by Joshua Horsley and Alexander de ...
While the terms ‘musical object ’ and ‘sonic object’ (sometimes ‘music object ’ and ‘sound object’...
As museums continue to search for new ways to attract visitors, recent trends within museum practice...
The discussion about the uses of the concept “musical object” highlights the difficulties of the pro...
Architecture is usually assessed through its visual appearance. The impression of a space, however, ...