Add to ORKGBradley and Nemiroff examine the re-emergence of figuration, the questioning of both subjectivity and the social, and the role played by painting and photography since the 1970s. The curators then discuss the strategies used by 15 Canadian artists who address aspects of the politics of representation and the role of the spectator. Artists' statements. Biographical notes. Circa 150 bibl. ref
Thériault and Nemiroff illustrate some of the dominant concerns in visual arts since the end of the ...
This anthology, the first in a series of publications entitled "Prendre Parole", contains 26 texts b...
Illustrating the complex and diverse nature of "notions of performance", Pontbriand's introduction p...
Bradley and Nemiroff examine the re-emergence of figuration, the questioning of both subjectivity an...
Discussing the crisis of meaning in postmodern discourses, Nemiroff argues for "the local", for an i...
Nemiroff documents the Native art collections of the National Gallery of Canada and provides a chron...
Bradley briefly describes the development of the exhibition and diagnoses a plurality of artistic ap...
Grouping seven Montréal artists whose work explore contextuality and referentiality, Nemiroff looks ...
Guest curator Sonne provides an historical background to her description of the relationships betwee...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
This catalogue accompanies a retrospective exhibition of Kennedy’s practice extending from 1967 to 1...
Grünwald and Nemiroff discuss the strategies of image-making adopted by 14 contemporary artists whos...
Nemiroff studies the development of the work of three 1960s American artists by looking at nine work...
Defining the role of the National Gallery in relation to contemporary art, Nemiroff enumerates recur...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Thériault and Nemiroff illustrate some of the dominant concerns in visual arts since the end of the ...
This anthology, the first in a series of publications entitled "Prendre Parole", contains 26 texts b...
Illustrating the complex and diverse nature of "notions of performance", Pontbriand's introduction p...
Bradley and Nemiroff examine the re-emergence of figuration, the questioning of both subjectivity an...
Discussing the crisis of meaning in postmodern discourses, Nemiroff argues for "the local", for an i...
Nemiroff documents the Native art collections of the National Gallery of Canada and provides a chron...
Bradley briefly describes the development of the exhibition and diagnoses a plurality of artistic ap...
Grouping seven Montréal artists whose work explore contextuality and referentiality, Nemiroff looks ...
Guest curator Sonne provides an historical background to her description of the relationships betwee...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
This catalogue accompanies a retrospective exhibition of Kennedy’s practice extending from 1967 to 1...
Grünwald and Nemiroff discuss the strategies of image-making adopted by 14 contemporary artists whos...
Nemiroff studies the development of the work of three 1960s American artists by looking at nine work...
Defining the role of the National Gallery in relation to contemporary art, Nemiroff enumerates recur...
In an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the rela...
Thériault and Nemiroff illustrate some of the dominant concerns in visual arts since the end of the ...
This anthology, the first in a series of publications entitled "Prendre Parole", contains 26 texts b...
Illustrating the complex and diverse nature of "notions of performance", Pontbriand's introduction p...