Add to ORKGQuestioning the notion of national identity in relation to art, Thompson looks at the situation in five Canadian cities and at the tension between regionalism and internationalism in Canada
Bell looks et the European influence on Canadian art in the 19th century, at the development of a di...
Harper discusses "the confused pattern of Canadian painting", assessing strengths and weaknesses whi...
This thesis explores the use of museum spaces in disrupting settler notions of Canadian identity. By...
Questioning the notion of national identity in relation to art, Thompson looks at the situation in f...
Under the 1990 federal Museums Act, the National Gallery of Canada has a specific mandate to "preser...
Adopting a critical view of Canadian society and its history, Mayer treats the social position of co...
A national institution with a federal mandate to promote Canada's artistic heritage, the Nation...
Rombout outlines the Canada Council's objectives in promoting contemporary Canadian art, while point...
This article investigates the relation between art exhibitions and political issues by analysing a f...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
"Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of work...
Ferguson problematizes Canada as territory, identity, and representation. Proposing that the 15 arti...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
The work of seven Canadian artists is described as based on concepts of travel, altered by the mobil...
Bell looks et the European influence on Canadian art in the 19th century, at the development of a di...
Harper discusses "the confused pattern of Canadian painting", assessing strengths and weaknesses whi...
This thesis explores the use of museum spaces in disrupting settler notions of Canadian identity. By...
Questioning the notion of national identity in relation to art, Thompson looks at the situation in f...
Under the 1990 federal Museums Act, the National Gallery of Canada has a specific mandate to "preser...
Adopting a critical view of Canadian society and its history, Mayer treats the social position of co...
A national institution with a federal mandate to promote Canada's artistic heritage, the Nation...
Rombout outlines the Canada Council's objectives in promoting contemporary Canadian art, while point...
This article investigates the relation between art exhibitions and political issues by analysing a f...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
"Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of work...
Ferguson problematizes Canada as territory, identity, and representation. Proposing that the 15 arti...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
The work of seven Canadian artists is described as based on concepts of travel, altered by the mobil...
Bell looks et the European influence on Canadian art in the 19th century, at the development of a di...
Harper discusses "the confused pattern of Canadian painting", assessing strengths and weaknesses whi...
This thesis explores the use of museum spaces in disrupting settler notions of Canadian identity. By...