Add to ORKGLaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curators define the geographical and social factors influencing the aesthetic concerns and artistic practice of the 46 Canadian painters represented. Biographical notes
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Gamzu recounts the organization of the exhibition while Théberge mixes biographical details of the a...
Elders situates the turn to figurative painting in the early 1980s within the history of 20th centur...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Harper discusses "the confused pattern of Canadian painting", assessing strengths and weaknesses whi...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
Seitz provides an overview of regional identities and international influences in Canadian art. Biog...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
James introduces the work of seven Canadian painters from the collection of the Canada Council Art B...
For the presentation of the work of 56 Canadian artists thirty years of age and under, the curators ...
Williamson documents the history of Canadian painting through an East/West Canada division. Biograph...
Focussing primarily on the 1940s and 1950s, Hubbard considers the movements and works that grew out ...
Entre mai 1944 et janvier 1945, les quatre principaux musées d’art du Canada réunissent toutes leurs...
Considering works by 19 artists, Spalding discerns three main areas of concern in paintings of the 1...
A note by the jury on the quality of selected works and the present state of Canadian art precedes t...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Gamzu recounts the organization of the exhibition while Théberge mixes biographical details of the a...
Elders situates the turn to figurative painting in the early 1980s within the history of 20th centur...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Harper discusses "the confused pattern of Canadian painting", assessing strengths and weaknesses whi...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
Seitz provides an overview of regional identities and international influences in Canadian art. Biog...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
James introduces the work of seven Canadian painters from the collection of the Canada Council Art B...
For the presentation of the work of 56 Canadian artists thirty years of age and under, the curators ...
Williamson documents the history of Canadian painting through an East/West Canada division. Biograph...
Focussing primarily on the 1940s and 1950s, Hubbard considers the movements and works that grew out ...
Entre mai 1944 et janvier 1945, les quatre principaux musées d’art du Canada réunissent toutes leurs...
Considering works by 19 artists, Spalding discerns three main areas of concern in paintings of the 1...
A note by the jury on the quality of selected works and the present state of Canadian art precedes t...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Gamzu recounts the organization of the exhibition while Théberge mixes biographical details of the a...
Elders situates the turn to figurative painting in the early 1980s within the history of 20th centur...