Add to ORKGIn an 11-year, five-wave longitudinal study of 450 amateur high-school musicians progressing from adolescence to adulthood, we found that regardless of their actual musical ability, people with stronger early callings were likely to perceive their abilities more favorably, which led them to pursue music professionally
This study used a semistructured interview schedule to identify the music career opportunities avail...
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/44645/1/10824_2005_Article_BF02258421.p...
Many professional musicians would describe their careers as somewhat different to the careers they i...
In an 11-year, five-wave longitudinal study of 450 amateur high-school musicians progressing from ad...
In a seven-year, four-wave longitudinal study of 450 musicians, we found that people with stronger e...
While making early career decisions in which pursuing what one loves and earning a secure living are...
In a seven-year, four-wave longitudinal study of 450 musicians, we found that people with stronger e...
© 2011 Eudora TongEvery year, cohorts of music students enter music conservatories aspiring to progr...
This thesis examines the nature of the transition between training as an undergraduate musician and...
The dominant view of calling among management scholars is that it is a stable construct that does no...
A basic interpretative research design (Merriam, 2002) was used to investigate the research question...
The classical music sector faces an urgent challenge as increasing numbers of performance graduates ...
The studies presented in this dissertation are concerned with the question why a musician’s career c...
Success as a musician is most commonly assumed to be the attainment of a performance career; however...
Whilst recent research has begun to expose the early career experiences of graduate musicians, few s...
This study used a semistructured interview schedule to identify the music career opportunities avail...
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/44645/1/10824_2005_Article_BF02258421.p...
Many professional musicians would describe their careers as somewhat different to the careers they i...
In an 11-year, five-wave longitudinal study of 450 amateur high-school musicians progressing from ad...
In a seven-year, four-wave longitudinal study of 450 musicians, we found that people with stronger e...
While making early career decisions in which pursuing what one loves and earning a secure living are...
In a seven-year, four-wave longitudinal study of 450 musicians, we found that people with stronger e...
© 2011 Eudora TongEvery year, cohorts of music students enter music conservatories aspiring to progr...
This thesis examines the nature of the transition between training as an undergraduate musician and...
The dominant view of calling among management scholars is that it is a stable construct that does no...
A basic interpretative research design (Merriam, 2002) was used to investigate the research question...
The classical music sector faces an urgent challenge as increasing numbers of performance graduates ...
The studies presented in this dissertation are concerned with the question why a musician’s career c...
Success as a musician is most commonly assumed to be the attainment of a performance career; however...
Whilst recent research has begun to expose the early career experiences of graduate musicians, few s...
This study used a semistructured interview schedule to identify the music career opportunities avail...
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/44645/1/10824_2005_Article_BF02258421.p...
Many professional musicians would describe their careers as somewhat different to the careers they i...