This study used a semistructured interview schedule to identify the music career opportunities available to students who graduate with an undergraduate music degree, and the skills, interests, work values, and personal characteristics that may determine a person's suitability for these music careers. Six university faculty members from each of the 11 NASM-accredited undergraduate music degree fields participated in the study (n = 66). Fourteen professional musicians who were recommended by these faculty members also participated in the study. Concerning the musical and non-musical skills that may determine a person's suitability for a music career, participants consistently noted the importance of performance skills in their respective fiel...
This thesis examines the nature of the transition between training as an undergraduate musician and...
The aim of this research was to identify the problems faced by newly graduated musicians to get a jo...
The purpose of this study was to examine the degree to which college musicians (N = 76) found music ...
The job market for musicians has always been competitive. This study aims to provide a better unders...
Researchers are increasingly interested in the psychological and sociological processes by which col...
This study explores how a variety of music alumni perceive the skills that they learned at their ins...
Many scholars argue that the purpose of higher music education institutions is to prepare future mus...
This article addresses the question of whether higher education music courses adequately prepare you...
Little is known about the structure of musicians? careers in terms of the activities in which they e...
Whilst recent research has begun to expose the early career experiences of graduate musicians, few s...
The musician’s career lifespan often begins at a young age with an introduction to music through fam...
The studies presented in this dissertation are concerned with the question why a musician’s career c...
© 2018 Dr. Jenni Anne HillmanAustralian tertiary institutions offer many courses for musicians inten...
Due to the pandemic and the ever-evolving world of music there is a need to rethink occupational rea...
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/68554/2/10.2307_3344592.pd
This thesis examines the nature of the transition between training as an undergraduate musician and...
The aim of this research was to identify the problems faced by newly graduated musicians to get a jo...
The purpose of this study was to examine the degree to which college musicians (N = 76) found music ...
The job market for musicians has always been competitive. This study aims to provide a better unders...
Researchers are increasingly interested in the psychological and sociological processes by which col...
This study explores how a variety of music alumni perceive the skills that they learned at their ins...
Many scholars argue that the purpose of higher music education institutions is to prepare future mus...
This article addresses the question of whether higher education music courses adequately prepare you...
Little is known about the structure of musicians? careers in terms of the activities in which they e...
Whilst recent research has begun to expose the early career experiences of graduate musicians, few s...
The musician’s career lifespan often begins at a young age with an introduction to music through fam...
The studies presented in this dissertation are concerned with the question why a musician’s career c...
© 2018 Dr. Jenni Anne HillmanAustralian tertiary institutions offer many courses for musicians inten...
Due to the pandemic and the ever-evolving world of music there is a need to rethink occupational rea...
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/68554/2/10.2307_3344592.pd
This thesis examines the nature of the transition between training as an undergraduate musician and...
The aim of this research was to identify the problems faced by newly graduated musicians to get a jo...
The purpose of this study was to examine the degree to which college musicians (N = 76) found music ...