This special section of the Shakespearean International Yearbook asks a series of questions about South African Shakespeare, chapter by chapter, focusing on the twentieth century. The temporal emphasis is deliberate, because it was particularly in the last century that Shakespeare became an issue, albeit a minor one, in relation to the titanic political and ideological struggles that convulsed the country throughout the period. The articles set out to examine and re-assess, in historical sequence, some of the acknowledged highlights of Shakespeare in South Africa in the last century. These are the moments when, for a range of different reasons, Shakespeare troubles the public sphere to claim attention in excess of that normally accorded ‘ro...
What would happen if Shakespeare were to appear in our contemporary South Africa? How would he respo...
This paper seeks to examine why the postcolonial world perennially appropriates William Shakespeare’...
Covering the period between Reginald Craddock’s Night Returns to Africa (1955) and the staging of Wo...
This special section of the Shakespearean International Yearbook asks a series of questions about So...
Bibliography: leaves 237-256.This thesis explores the development of a "South African Shakespeare". ...
This study undertakes the analysis of the eight productions of Shakespeare that were produced for te...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...
Includes abstract.Includes bibliographical references (leaves 140-147).This thesis explores the use ...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...
Under the title “‘In states unborn and accents yet unknown’: Shakespeare and the ISEA”, this essay f...
A history of Shakespeare in South Africa from the early nineteenth century to 1994
Includes bibliographical references.While the place of Shakespeare in South Africa has never serious...
My definitions here of the colonial and post-colonial are historical, rather than in terms of changi...
In his historical plays, Zulu writer and journalist Herbert Isaac Ernest Dhlomo (1903-1956) made ref...
In this paper I examine the role of theater in promoting a new nonracial democracy in South Africa d...
What would happen if Shakespeare were to appear in our contemporary South Africa? How would he respo...
This paper seeks to examine why the postcolonial world perennially appropriates William Shakespeare’...
Covering the period between Reginald Craddock’s Night Returns to Africa (1955) and the staging of Wo...
This special section of the Shakespearean International Yearbook asks a series of questions about So...
Bibliography: leaves 237-256.This thesis explores the development of a "South African Shakespeare". ...
This study undertakes the analysis of the eight productions of Shakespeare that were produced for te...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...
Includes abstract.Includes bibliographical references (leaves 140-147).This thesis explores the use ...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...
Under the title “‘In states unborn and accents yet unknown’: Shakespeare and the ISEA”, this essay f...
A history of Shakespeare in South Africa from the early nineteenth century to 1994
Includes bibliographical references.While the place of Shakespeare in South Africa has never serious...
My definitions here of the colonial and post-colonial are historical, rather than in terms of changi...
In his historical plays, Zulu writer and journalist Herbert Isaac Ernest Dhlomo (1903-1956) made ref...
In this paper I examine the role of theater in promoting a new nonracial democracy in South Africa d...
What would happen if Shakespeare were to appear in our contemporary South Africa? How would he respo...
This paper seeks to examine why the postcolonial world perennially appropriates William Shakespeare’...
Covering the period between Reginald Craddock’s Night Returns to Africa (1955) and the staging of Wo...