This special section of the Shakespearean International Yearbook asks a series of questions about South African Shakespeare, chapter by chapter, focusing on the twentieth century. The temporal emphasis is deliberate, because it was particularly in the last century that Shakespeare became an issue, albeit a minor one, in relation to the titanic political and ideological struggles that convulsed the country throughout the period. The articles set out to examine and re-assess, in historical sequence, some of the acknowledged highlights of Shakespeare in South Africa in the last century. These are the moments when, for a range of different reasons, Shakespeare troubles the public sphere to claim attention in excess of that normally accorded ‘ro...
This is an important book for a number of reasons. First, it delineates a period of Shakespearean pr...
In his historical plays, Zulu writer and journalist Herbert Isaac Ernest Dhlomo (1903-1956) made ref...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...
This special section of the Shakespearean International Yearbook asks a series of questions about So...
A history of Shakespeare in South Africa from the early nineteenth century to 1994
Under the title “‘In states unborn and accents yet unknown’: Shakespeare and the ISEA”, this essay f...
This paper is part of a longer piece devoted to the elucidation of two related propositions. The fir...
This checklist is in two parts. The first lists South African Shakespearean theses and dissertations...
One of the framing theoretical reasons to establish what I have called a South African Shakespeare i...
My definitions here of the colonial and post-colonial are historical, rather than in terms of changi...
What are we to make of Shakespeare’s unexpected presence in texts which originate in traumatic event...
This paper seeks to examine why the postcolonial world perennially appropriates William Shakespeare’...
Bibliography: leaves 237-256.This thesis explores the development of a "South African Shakespeare". ...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...
preprintThis paper is part of a longer piece devoted to the elucidation of two related propositions....
This is an important book for a number of reasons. First, it delineates a period of Shakespearean pr...
In his historical plays, Zulu writer and journalist Herbert Isaac Ernest Dhlomo (1903-1956) made ref...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...
This special section of the Shakespearean International Yearbook asks a series of questions about So...
A history of Shakespeare in South Africa from the early nineteenth century to 1994
Under the title “‘In states unborn and accents yet unknown’: Shakespeare and the ISEA”, this essay f...
This paper is part of a longer piece devoted to the elucidation of two related propositions. The fir...
This checklist is in two parts. The first lists South African Shakespearean theses and dissertations...
One of the framing theoretical reasons to establish what I have called a South African Shakespeare i...
My definitions here of the colonial and post-colonial are historical, rather than in terms of changi...
What are we to make of Shakespeare’s unexpected presence in texts which originate in traumatic event...
This paper seeks to examine why the postcolonial world perennially appropriates William Shakespeare’...
Bibliography: leaves 237-256.This thesis explores the development of a "South African Shakespeare". ...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...
preprintThis paper is part of a longer piece devoted to the elucidation of two related propositions....
This is an important book for a number of reasons. First, it delineates a period of Shakespearean pr...
In his historical plays, Zulu writer and journalist Herbert Isaac Ernest Dhlomo (1903-1956) made ref...
Is there room, as Natasha Distiller asked in 2012, for a “close encounter” with Shakespeare in post-...