This introduction contextualises the papers in the Special Issue by briefly reviewing anthropological interest in dance to date, and by providing a challenge to received wisdom regarding the significance of expressive cultural forms. We theorise dance practices as domains of lived experience. and position movement as a performative moment of social interchange that is not merely reflective of prior political, personal, social and cosmological relations, but also constitutive of them. We argue that a renegotiation of the relationship between dance and anthropology is required so that dance is given full recognition as an active, fraught and dynamic force in human social life
Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon a...
This article presents examples of the relationship between culture, dance, and the body in the field...
“Connecting with oneself, with others, and with the world”: this is a common description of the ambi...
This introduction contextualises the papers in the Special Issue by briefly reviewing anthropologica...
The paper charts the development of dance anthropology from the beginner’s fascination with body ...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
A choreological perspective of dance is preoccupied with the processes of creating, performing and a...
As a Dance Anthropologist, I use dance as a creative method to bring participants to tell their sto...
In highlighting the different aspects of disclosure between anthropologists and fieldwork communitie...
Dancing has always been and still is an integral part of the lives of individuals and communities ar...
This paper questions creative modalities for conducting ethnographic research within artistic contex...
"The contributors look at bodies engaged in practices as varied as pageantry, physical education, fe...
In this introduction to the special issue on dance in Africa and beyond, we review the anthropologic...
Williams wrote the first edition (Ten Lectures on Theories of the Dance, 1991) of this dense work fo...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon a...
This article presents examples of the relationship between culture, dance, and the body in the field...
“Connecting with oneself, with others, and with the world”: this is a common description of the ambi...
This introduction contextualises the papers in the Special Issue by briefly reviewing anthropologica...
The paper charts the development of dance anthropology from the beginner’s fascination with body ...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
A choreological perspective of dance is preoccupied with the processes of creating, performing and a...
As a Dance Anthropologist, I use dance as a creative method to bring participants to tell their sto...
In highlighting the different aspects of disclosure between anthropologists and fieldwork communitie...
Dancing has always been and still is an integral part of the lives of individuals and communities ar...
This paper questions creative modalities for conducting ethnographic research within artistic contex...
"The contributors look at bodies engaged in practices as varied as pageantry, physical education, fe...
In this introduction to the special issue on dance in Africa and beyond, we review the anthropologic...
Williams wrote the first edition (Ten Lectures on Theories of the Dance, 1991) of this dense work fo...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon a...
This article presents examples of the relationship between culture, dance, and the body in the field...
“Connecting with oneself, with others, and with the world”: this is a common description of the ambi...