Add to ORKG"The contributors look at bodies engaged in practices as varied as pageantry, physical education, festivals and exhibitions, tourism, and social and theatrical dance. Thy succeed in bringing these bodies to life with all the political, gendered, racial and aesthetic resonances of which bodily motion is capable. Dance is used in this volume as a theoretical framework to assist the reader in understanding the body's permanent transience, and in the task of transposing its movements into words and its choregraphy into theory. " -- p. [4] of cover
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
In applying theories regarding gender, the body, and psychoanalytic theory of visual pleasure, I wou...
In dance many choreographers uses neutral garments not to distract too much from the movement the ”n...
"The contributors look at bodies engaged in practices as varied as pageantry, physical education, fe...
"Dance surveys the choreographic turn in the arts from the 1950s onwards, exploring the philosophies...
Foster (Univ. of California, Riverside), author of the critically acclaimed Reading Dancing (CH, Apr...
In this chapter I place embodiment and the corporeal body as central to examination. I argue that th...
We create music and dance with the body and perceive both through it. The performer's body is moulde...
The ‘material turn’ in critical theory - and particularly the turn towards the body coupled with sci...
The art of performance dance in the 20th century is undergoing a transformation involving values, co...
Creative Development: The Body and Light. Within the current cultural climate, the independent chore...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
As a phenomenological investigation this thesis is grounded in the primal reality of the body in mot...
In this paper, we describe the definition of the body being extended by the concepts of other discip...
The performativity of dance relies on the the power that different dance practices and choreographie...
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
In applying theories regarding gender, the body, and psychoanalytic theory of visual pleasure, I wou...
In dance many choreographers uses neutral garments not to distract too much from the movement the ”n...
"The contributors look at bodies engaged in practices as varied as pageantry, physical education, fe...
"Dance surveys the choreographic turn in the arts from the 1950s onwards, exploring the philosophies...
Foster (Univ. of California, Riverside), author of the critically acclaimed Reading Dancing (CH, Apr...
In this chapter I place embodiment and the corporeal body as central to examination. I argue that th...
We create music and dance with the body and perceive both through it. The performer's body is moulde...
The ‘material turn’ in critical theory - and particularly the turn towards the body coupled with sci...
The art of performance dance in the 20th century is undergoing a transformation involving values, co...
Creative Development: The Body and Light. Within the current cultural climate, the independent chore...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
As a phenomenological investigation this thesis is grounded in the primal reality of the body in mot...
In this paper, we describe the definition of the body being extended by the concepts of other discip...
The performativity of dance relies on the the power that different dance practices and choreographie...
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
In applying theories regarding gender, the body, and psychoanalytic theory of visual pleasure, I wou...
In dance many choreographers uses neutral garments not to distract too much from the movement the ”n...