As a Dance Anthropologist, I use dance as a creative method to bring participants to tell their stories. This collective and participatory method, based on Research-Creation and Practice- Based Research, involves participants since the beginning of the research process. Dance creation results from a co-designed framework, which expresses voices of minorities. The ethnography becomes a gesture of care and attention, in an attempt to revalorize disregarded subjectivities by Capitalism. In this talk, I will present my dance method, which can be used in various research topics, and which illustrates a version of Engaged Anthropology
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
This research entails a preliminary investigation of the way choreography is created, performed, and...
This paper questions creative modalities for conducting ethnographic research within artistic contex...
This paper proposes a reflection on collaboration through dance. Drawing on ten years of fieldwork w...
This paper proposes a reflection on collaboration through dance. Drawing on ten years of fieldwork w...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
In highlighting the different aspects of disclosure between anthropologists and fieldwork communitie...
In highlighting the different aspects of disclosure between anthropologists and fieldwork communitie...
In highlighting the different aspects of disclosure between anthropologists and fieldwork communitie...
This introduction contextualises the papers in the Special Issue by briefly reviewing anthropologica...
This introduction contextualises the papers in the Special Issue by briefly reviewing anthropologica...
This panel gathered Berner artists and social scholars from the University of Bern to reflect on cre...
My research focuses on the efforts of a dance company to reinsert and centralize Afro-Brazilian expe...
Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon a...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
This research entails a preliminary investigation of the way choreography is created, performed, and...
This paper questions creative modalities for conducting ethnographic research within artistic contex...
This paper proposes a reflection on collaboration through dance. Drawing on ten years of fieldwork w...
This paper proposes a reflection on collaboration through dance. Drawing on ten years of fieldwork w...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
In highlighting the different aspects of disclosure between anthropologists and fieldwork communitie...
In highlighting the different aspects of disclosure between anthropologists and fieldwork communitie...
In highlighting the different aspects of disclosure between anthropologists and fieldwork communitie...
This introduction contextualises the papers in the Special Issue by briefly reviewing anthropologica...
This introduction contextualises the papers in the Special Issue by briefly reviewing anthropologica...
This panel gathered Berner artists and social scholars from the University of Bern to reflect on cre...
My research focuses on the efforts of a dance company to reinsert and centralize Afro-Brazilian expe...
Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon a...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70...
This research entails a preliminary investigation of the way choreography is created, performed, and...