The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers, Morita Shiryū, Inoue Yūichi, Eguchi Sōgen, Nakamura Bokushi, and Sekiya Yoshimichi. The avant-garde calligraphy movement they launched aspired to raise calligraphy to the same level of international prominence as abstract painting. To realize this vision, the Bokujinkai established creative collaborations with artists from European Art Informel and American Abstract Expressionism, and soon began sharing exhibition spaces with them in New York, Paris, Tokyo, and beyond. By focusing on this exceptional moment in the history of Japanese calligraphy, I show how the Bokujinkai rerouted the trajectory of global abstract art and attuned foreign audienc...
“Le Chat Noir” and “Le Masque” are small societies of artists with a slightly decadent, tendency whi...
The purpose of this thesis is to examine the stylistic transformations of Chinese Chan painting to J...
This is an attempt to analyse various aspects of Japanese calligraphy. I argue that in Japanese (and...
The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers, Mor...
Abstract In this thesis I investigate the meeting between Western art and the art of Japanese painti...
Aesthetician Tsutomu Ijima (1908–1978) had a major influence on the Japanese avantgarde calligraphy ...
This paper discusses the relationship between postwar Japanese avant-garde calligraphy and the abstr...
Over the last few years writing and calligraphic forms have seen a huge revival both in Japan and in...
Modernization in Japan is often equalled to westernization. This chapter, however, challenges this v...
Postwar Japanese calligraphy has been little studied in Western art history, and in particular, the...
Interwar Japan saw the rise of a generation of intellectuals, bureaucrats, and educators who were un...
Hosokawa discusses the influence of American English and Roman alphabet transcriptions of Japanese i...
Calligraphy is regarded as a branch of the fine arts in the East. In Japan, calligraphic works for æ...
Calligraphy and calligraphic elements in abstract art demonstrate the differences between Japanese a...
The Fusain Society is the first estblishment of Post Impressionism in Japan, organized by young arti...
“Le Chat Noir” and “Le Masque” are small societies of artists with a slightly decadent, tendency whi...
The purpose of this thesis is to examine the stylistic transformations of Chinese Chan painting to J...
This is an attempt to analyse various aspects of Japanese calligraphy. I argue that in Japanese (and...
The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers, Mor...
Abstract In this thesis I investigate the meeting between Western art and the art of Japanese painti...
Aesthetician Tsutomu Ijima (1908–1978) had a major influence on the Japanese avantgarde calligraphy ...
This paper discusses the relationship between postwar Japanese avant-garde calligraphy and the abstr...
Over the last few years writing and calligraphic forms have seen a huge revival both in Japan and in...
Modernization in Japan is often equalled to westernization. This chapter, however, challenges this v...
Postwar Japanese calligraphy has been little studied in Western art history, and in particular, the...
Interwar Japan saw the rise of a generation of intellectuals, bureaucrats, and educators who were un...
Hosokawa discusses the influence of American English and Roman alphabet transcriptions of Japanese i...
Calligraphy is regarded as a branch of the fine arts in the East. In Japan, calligraphic works for æ...
Calligraphy and calligraphic elements in abstract art demonstrate the differences between Japanese a...
The Fusain Society is the first estblishment of Post Impressionism in Japan, organized by young arti...
“Le Chat Noir” and “Le Masque” are small societies of artists with a slightly decadent, tendency whi...
The purpose of this thesis is to examine the stylistic transformations of Chinese Chan painting to J...
This is an attempt to analyse various aspects of Japanese calligraphy. I argue that in Japanese (and...