Add to ORKGHosokawa discusses the influence of American English and Roman alphabet transcriptions of Japanese in the public sphere in Tokyo while Ikui describes the predominance of American culture. Includes a round table discussion between representatives of the American and Japanese art communities. Biographical notes on the nine artists as well as Dumb Type, a collaborative group of 15 members
Even before the dissolution of Shogunate and the Meiji Reforms around 1868, which opened Japan to th...
Fox questions the concept of Japanese art as a colonial variant of western styles. Rather, he sugges...
The American Occupation of Japan and the subsequent alliance between the two countries during the Co...
The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers, Mor...
Japanese Painting and National Identity is the first monograph in English to address the art and phi...
This conference with international renowned speakers from Japan, USA and UK will consider, among oth...
The term bijutsu, fine arts, which was invented out of necessity for the Japanese to participate i...
Japan early in the Meiji Period (1868-1911) was eager to import Western culture in order to establis...
Abstract In this thesis I investigate the meeting between Western art and the art of Japanese painti...
This dissertation focuses on the remarkable approaches toward materials in art objects taken by the ...
History reveals Western cultures continuous interest in Eastern art from impressionism to today. Whe...
It is common that the evaluation of art works is affected by the artistic tradition and situation of...
Citation: Stump, Cora Idell. The Japanese art. Senior thesis, Kansas State Agricultural College, 189...
Although the foundation being so unlike each other, East and West have been influencing each other c...
As a result of the Sino-Japanese War in 1894-95, an industrial revolution took place in Japan, and s...
Even before the dissolution of Shogunate and the Meiji Reforms around 1868, which opened Japan to th...
Fox questions the concept of Japanese art as a colonial variant of western styles. Rather, he sugges...
The American Occupation of Japan and the subsequent alliance between the two countries during the Co...
The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers, Mor...
Japanese Painting and National Identity is the first monograph in English to address the art and phi...
This conference with international renowned speakers from Japan, USA and UK will consider, among oth...
The term bijutsu, fine arts, which was invented out of necessity for the Japanese to participate i...
Japan early in the Meiji Period (1868-1911) was eager to import Western culture in order to establis...
Abstract In this thesis I investigate the meeting between Western art and the art of Japanese painti...
This dissertation focuses on the remarkable approaches toward materials in art objects taken by the ...
History reveals Western cultures continuous interest in Eastern art from impressionism to today. Whe...
It is common that the evaluation of art works is affected by the artistic tradition and situation of...
Citation: Stump, Cora Idell. The Japanese art. Senior thesis, Kansas State Agricultural College, 189...
Although the foundation being so unlike each other, East and West have been influencing each other c...
As a result of the Sino-Japanese War in 1894-95, an industrial revolution took place in Japan, and s...
Even before the dissolution of Shogunate and the Meiji Reforms around 1868, which opened Japan to th...
Fox questions the concept of Japanese art as a colonial variant of western styles. Rather, he sugges...
The American Occupation of Japan and the subsequent alliance between the two countries during the Co...