Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out the absurdity of segregation and makes the case that artists such as Louis Armstrong are the best and real ambassadors to demonstrate a nation\u27s ideals. It was recorded in 1961 and performed live only once. Despite their efforts, the play never made it to stage. Here is a collection of letters, photographs, scripts, and audio that document the creation of The Real Ambassadors.https://scholarlycommons.pacific.edu/trai/1002/thumbnail.jp
KH: Did you attend the concerts, Iola, or... IB: Yes. I attended all of them actually, yeah. KH: And...
SS: I\u27d like to shift gears if we can back to the \u2750s and \u2760s because I definitely want t...
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
SS: Well, these large scale pieces all seem to have messages that are somewhat timeless. They seem c...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
This Master’s thesis examines jazz diplomacy and race relations in the United States during the earl...
SS: Getting back to the early and mid \u2750s, I want to talk a little bit about a couple of albums,...
The session begins with a quick recap of the questions asked in the first interview. From there, Rob...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
SS: So, we\u27ll start with your friend Duke Ellington. DB: Oh, he was and will always remain one of...
Photograph and transcript of interview with Ruth Binsky, businesswoman and jazz promoter.Photograph ...
For millions of people, Dave Brubeck is the most famous jazz musician. Aside from Duke Ellington, Lo...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
KH: Did you attend the concerts, Iola, or... IB: Yes. I attended all of them actually, yeah. KH: And...
SS: I\u27d like to shift gears if we can back to the \u2750s and \u2760s because I definitely want t...
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
SS: Well, these large scale pieces all seem to have messages that are somewhat timeless. They seem c...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
This Master’s thesis examines jazz diplomacy and race relations in the United States during the earl...
SS: Getting back to the early and mid \u2750s, I want to talk a little bit about a couple of albums,...
The session begins with a quick recap of the questions asked in the first interview. From there, Rob...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
SS: So, we\u27ll start with your friend Duke Ellington. DB: Oh, he was and will always remain one of...
Photograph and transcript of interview with Ruth Binsky, businesswoman and jazz promoter.Photograph ...
For millions of people, Dave Brubeck is the most famous jazz musician. Aside from Duke Ellington, Lo...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
KH: Did you attend the concerts, Iola, or... IB: Yes. I attended all of them actually, yeah. KH: And...
SS: I\u27d like to shift gears if we can back to the \u2750s and \u2760s because I definitely want t...
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...