I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular Breathing: The Cultural Politics of Jazz in Britain. The primary outcome of the project was a book of the same title (published by Duke University Press in 2005). This was an extension into more recent music practice of the interviews I’d undertaken regarding the trad boom of the 1950s. Both sets of interviews were for research funded by the Arts and Humanities Research Board, and I am extremely grateful for the board’s support
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...
The collaborative processes of jazz improvising are of considerable academic interest as a unique...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
These are transcriptions of interviews and correspondence undertaken as part of an Arts and Humaniti...
These are transcriptions of interviews and correspondence undertaken as part of an Arts and Humaniti...
These are transcriptions of interviews and correspondence undertaken as part of an Arts and Humaniti...
In this chapter I look at some of the factors involved in being a British jazz musician in the 21st ...
The Routledge Companion to jazz Studies presents over forty articles from internationally renowned s...
The Routledge Companion to jazz Studies presents over forty articles from internationally renowned s...
This dissertation explores specific historical moments in British jazz history and places special em...
This dissertation explores specific historical moments in British jazz history and places special em...
The collaborative processes of jazz improvising are of considerable academic interest as a unique fo...
‘Valuing Jazz: Cross-cultural Comparisons of the Classical Influence in Jazz’ re-examines the intera...
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...
The collaborative processes of jazz improvising are of considerable academic interest as a unique...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
I undertook these interviews in 2002-2003 as part of the research project I was working on, Circular...
These are transcriptions of interviews and correspondence undertaken as part of an Arts and Humaniti...
These are transcriptions of interviews and correspondence undertaken as part of an Arts and Humaniti...
These are transcriptions of interviews and correspondence undertaken as part of an Arts and Humaniti...
In this chapter I look at some of the factors involved in being a British jazz musician in the 21st ...
The Routledge Companion to jazz Studies presents over forty articles from internationally renowned s...
The Routledge Companion to jazz Studies presents over forty articles from internationally renowned s...
This dissertation explores specific historical moments in British jazz history and places special em...
This dissertation explores specific historical moments in British jazz history and places special em...
The collaborative processes of jazz improvising are of considerable academic interest as a unique fo...
‘Valuing Jazz: Cross-cultural Comparisons of the Classical Influence in Jazz’ re-examines the intera...
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...
Webster and McKay have pieced together a fascinating jigsaw puzzle of archival material, interviews,...
The collaborative processes of jazz improvising are of considerable academic interest as a unique...