Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out the absurdity of segregation and makes the case that artists such as Louis Armstrong are the best and real ambassadors to demonstrate a nation\u27s ideals. It was recorded in 1961 and performed live only once. Despite their efforts, the play never made it to stage. Here is a collection of letters, photographs, scripts, and audio that document the creation of The Real Ambassadors
Presentation for the Jazz Education Network Fifth Annual Conference. This presentation discusses how...
Trio-fold brochure.Singstations, official Good Will Ambassadors for University of Missouri-Columbia,...
KSU Faculty Jazz Parliament highlights the members of the School of Music\u27s talented jazz faculty...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
SS: Well, these large scale pieces all seem to have messages that are somewhat timeless. They seem c...
This Master’s thesis examines jazz diplomacy and race relations in the United States during the earl...
Organizer and presenter for panel discussion assessing the significance of the jazz musical in the c...
From 1950 to 1960, the United States Air Force Band in Washington, DC participated in one of the mos...
Playbill insert for the March 2, 1996 performance by The Harlem Blues and Jazz Band and Barbara McNa...
2011-06-01Many factors, including government sponsorship, institutional patronage, and influential d...
Letter and flyer concerning 1984 presentation of Real People\u27s Music, performances, arts and lect...
Notes accompanying a presentation for the Jazz Education Network Fifth Annual Conference. These note...
Presentation for the Jazz Education Network Fifth Annual Conference. This presentation discusses how...
Trio-fold brochure.Singstations, official Good Will Ambassadors for University of Missouri-Columbia,...
KSU Faculty Jazz Parliament highlights the members of the School of Music\u27s talented jazz faculty...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
Dave and Iola Brubeck created The Real Ambassadors in the late 1950s. The jazz musical pointed out t...
SS: Well, these large scale pieces all seem to have messages that are somewhat timeless. They seem c...
This Master’s thesis examines jazz diplomacy and race relations in the United States during the earl...
Organizer and presenter for panel discussion assessing the significance of the jazz musical in the c...
From 1950 to 1960, the United States Air Force Band in Washington, DC participated in one of the mos...
Playbill insert for the March 2, 1996 performance by The Harlem Blues and Jazz Band and Barbara McNa...
2011-06-01Many factors, including government sponsorship, institutional patronage, and influential d...
Letter and flyer concerning 1984 presentation of Real People\u27s Music, performances, arts and lect...
Notes accompanying a presentation for the Jazz Education Network Fifth Annual Conference. These note...
Presentation for the Jazz Education Network Fifth Annual Conference. This presentation discusses how...
Trio-fold brochure.Singstations, official Good Will Ambassadors for University of Missouri-Columbia,...
KSU Faculty Jazz Parliament highlights the members of the School of Music\u27s talented jazz faculty...