Add to ORKGDuring her nineteen years spent in California (1962-81), the young Vija Celmins formulated a distinct landscape informed by California’s physical topography as well as the stylistic and materialistic advances resulting from the city’s newfound cultural awakening. With an intimate technical application, Celmins engages viewers with the spatial and optical facets of desert, sea, and sky
Allow yourself to wonder... and traverse shapes and shades at the rims of urban settings. This even...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
This compilation of works, created by various art students from BIOLA University, investigates the i...
During her nineteen years spent in California (1962-81), the young Vija Celmins formulated a distinc...
This two-day conference brought together new scholarship exploring the edges and borders of post-wa...
This Thesis presents several approaches through art making to deal with light and space and other th...
This thesis examines how artists, intellectuals, spiritual seekers, and industrialists represented t...
My work deals with objects that we experience through touch as a way to address the impact of mediat...
This article considers one work on paper by Vija Celmins in the ARTIST ROOMS collection: Untitled (D...
Ed Ruscha's photobooks create a deliberate type of low-key provocation the artist has referred to as...
Painter Melinda Cootsona chose the title \u27A Sense of Place\u27 for her September 2013 show at The...
The author explores the cultural consequences of the supposed disappearance of time and space as mat...
My paintings engage with ideas of time, memory and displacement. Intricately painted works appear to...
This research project into the manipulation of spatial concepts by artists on the two-dimensional su...
This essay discusses my paintings alongside Merleau-Ponty\u27s theories of perception and the histor...
Allow yourself to wonder... and traverse shapes and shades at the rims of urban settings. This even...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
This compilation of works, created by various art students from BIOLA University, investigates the i...
During her nineteen years spent in California (1962-81), the young Vija Celmins formulated a distinc...
This two-day conference brought together new scholarship exploring the edges and borders of post-wa...
This Thesis presents several approaches through art making to deal with light and space and other th...
This thesis examines how artists, intellectuals, spiritual seekers, and industrialists represented t...
My work deals with objects that we experience through touch as a way to address the impact of mediat...
This article considers one work on paper by Vija Celmins in the ARTIST ROOMS collection: Untitled (D...
Ed Ruscha's photobooks create a deliberate type of low-key provocation the artist has referred to as...
Painter Melinda Cootsona chose the title \u27A Sense of Place\u27 for her September 2013 show at The...
The author explores the cultural consequences of the supposed disappearance of time and space as mat...
My paintings engage with ideas of time, memory and displacement. Intricately painted works appear to...
This research project into the manipulation of spatial concepts by artists on the two-dimensional su...
This essay discusses my paintings alongside Merleau-Ponty\u27s theories of perception and the histor...
Allow yourself to wonder... and traverse shapes and shades at the rims of urban settings. This even...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
This compilation of works, created by various art students from BIOLA University, investigates the i...