Add to ORKGThis essay discusses my paintings alongside Merleau-Ponty\u27s theories of perception and the history of form and color in painting. The relationship between perception and color is examined in the work of Paul Cézanne, Hans Hofmann, and Luis Barragán, along with Henri Matisse\u27s Chapel of the Rosary
The process of disorientation creates a position or effect of being “out of place.” When feeling out...
This paper explores Nicola Stephanie’s works in painted and shaped canvas, which investigate sensati...
There is a vast history of Art that deals with the sublime and luminescent images and objects, with...
This essay discusses my paintings alongside Merleau-Ponty\u27s theories of perception and the histor...
Maurice Merleau-Ponty devoted only three essays to art in his lifetime; however, comments on paintin...
My work deals with objects that we experience through touch as a way to address the impact of mediat...
I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrat...
Through a lexicon of painted soft sculptures, salvaged furniture and objects referencing the hand-ma...
From an Unlikely Place, a collection of eight ambitious paintings created while in residence at the ...
The picture plane is a lived experience in which I aim to arrive at a precision of forms and colors ...
The paintings and drawings constituting this thesis exhibition result from a contemplation and inves...
My current paintings begin with images of people from the back, wearing hijabs, turbans, saris, kufi...
This practice-based research investigates the relationship between making paintings and the phenome...
Modularity and movement of energy are two key concepts in the construction of Nikki Mehle\u27s paint...
This body of work is an endeavor to explore the connection of form to environment that mirrors my in...
The process of disorientation creates a position or effect of being “out of place.” When feeling out...
This paper explores Nicola Stephanie’s works in painted and shaped canvas, which investigate sensati...
There is a vast history of Art that deals with the sublime and luminescent images and objects, with...
This essay discusses my paintings alongside Merleau-Ponty\u27s theories of perception and the histor...
Maurice Merleau-Ponty devoted only three essays to art in his lifetime; however, comments on paintin...
My work deals with objects that we experience through touch as a way to address the impact of mediat...
I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrat...
Through a lexicon of painted soft sculptures, salvaged furniture and objects referencing the hand-ma...
From an Unlikely Place, a collection of eight ambitious paintings created while in residence at the ...
The picture plane is a lived experience in which I aim to arrive at a precision of forms and colors ...
The paintings and drawings constituting this thesis exhibition result from a contemplation and inves...
My current paintings begin with images of people from the back, wearing hijabs, turbans, saris, kufi...
This practice-based research investigates the relationship between making paintings and the phenome...
Modularity and movement of energy are two key concepts in the construction of Nikki Mehle\u27s paint...
This body of work is an endeavor to explore the connection of form to environment that mirrors my in...
The process of disorientation creates a position or effect of being “out of place.” When feeling out...
This paper explores Nicola Stephanie’s works in painted and shaped canvas, which investigate sensati...
There is a vast history of Art that deals with the sublime and luminescent images and objects, with...