Add to ORKGMy current paintings begin with images of people from the back, wearing hijabs, turbans, saris, kufis, or rasta gauzy shawls. I do not paint my subjects frontally, because I do not have access to them personally or culturally, and because it is their cultural indicators that fascinate me
This art practice-based thesis addresses the ocularcentric approach inherent in Western representati...
My art evolves out of deep attentiveness to idiosyncratic aspects of mundane experience. These aspec...
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I add...
My current paintings begin with images of people from the back, wearing hijabs, turbans, saris, kufi...
My work deals with objects that we experience through touch as a way to address the impact of mediat...
My thesis paper Private Conversation discusses the themes, contexts, and influences relevant to pa...
This study explores subtle relationships between people captured together in a photo frame and exami...
This essay discusses my paintings alongside Merleau-Ponty\u27s theories of perception and the histor...
My research project explores connections between Iranian textile designs and western abstract painti...
This thesis deals with the difficulty to locate one's work within the field of painting. In that re...
The picture plane is a lived experience in which I aim to arrive at a precision of forms and colors ...
This paper investigates the relationship between photography and painting. It explores the way in wh...
The body of work I have created since beginning my MFA has been informed and impacted by my research...
My work explores and conceptualizes the idea of a world where my people were never colonized, a worl...
My primary aim is to investigate and analyze the ways in which my cultural identity as an Asian arti...
This art practice-based thesis addresses the ocularcentric approach inherent in Western representati...
My art evolves out of deep attentiveness to idiosyncratic aspects of mundane experience. These aspec...
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I add...
My current paintings begin with images of people from the back, wearing hijabs, turbans, saris, kufi...
My work deals with objects that we experience through touch as a way to address the impact of mediat...
My thesis paper Private Conversation discusses the themes, contexts, and influences relevant to pa...
This study explores subtle relationships between people captured together in a photo frame and exami...
This essay discusses my paintings alongside Merleau-Ponty\u27s theories of perception and the histor...
My research project explores connections between Iranian textile designs and western abstract painti...
This thesis deals with the difficulty to locate one's work within the field of painting. In that re...
The picture plane is a lived experience in which I aim to arrive at a precision of forms and colors ...
This paper investigates the relationship between photography and painting. It explores the way in wh...
The body of work I have created since beginning my MFA has been informed and impacted by my research...
My work explores and conceptualizes the idea of a world where my people were never colonized, a worl...
My primary aim is to investigate and analyze the ways in which my cultural identity as an Asian arti...
This art practice-based thesis addresses the ocularcentric approach inherent in Western representati...
My art evolves out of deep attentiveness to idiosyncratic aspects of mundane experience. These aspec...
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I add...