Review of Zachary Lesser Renaissance drama and the politics of publication: Readings in the English book trade (Cambridge: Cambridge University Press, 2004) ISBN 0521842522 xii+244 pp
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
This review considers Shakespeare and the Book Trade and Shakespeare as Literary Dramatist
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...
This review article was published in the Journal of the Printing Historical Society. Further details...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Review of Douglas Bruster's book, 'Drama and the Market in the Age of Shakespeare' (Cambridge Studie...
David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford Univer...
Early modern publishers played an important role in the survival and transmission of plays from the ...
Times have changed. In the mid 1980s, when I wrote my biography of John Almon, a study of the reflex...
Renaissance drama, the history of gambling, and more capture the scholarly interest of faculty autho...
Review of Peter Holland and Stephen Orgel (eds.) 'From script to stage in early modern England'(Basi...
This thesis is a cultural history of the publishing businesses that financed Shakespeareâs First Fol...
The present study considers Brome’s playbooks and his reputation as a dramatist from the perspective...
Review of Andrew Gurr, 'The Shakespeare Company, 1594-1642' (Cambridge: Cambridge University Press, ...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
This review considers Shakespeare and the Book Trade and Shakespeare as Literary Dramatist
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...
This review article was published in the Journal of the Printing Historical Society. Further details...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Review of Douglas Bruster's book, 'Drama and the Market in the Age of Shakespeare' (Cambridge Studie...
David J. Baker, On Demand: Writing for the Market in Early Modern England. Stanford: Stanford Univer...
Early modern publishers played an important role in the survival and transmission of plays from the ...
Times have changed. In the mid 1980s, when I wrote my biography of John Almon, a study of the reflex...
Renaissance drama, the history of gambling, and more capture the scholarly interest of faculty autho...
Review of Peter Holland and Stephen Orgel (eds.) 'From script to stage in early modern England'(Basi...
This thesis is a cultural history of the publishing businesses that financed Shakespeareâs First Fol...
The present study considers Brome’s playbooks and his reputation as a dramatist from the perspective...
Review of Andrew Gurr, 'The Shakespeare Company, 1594-1642' (Cambridge: Cambridge University Press, ...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
This review considers Shakespeare and the Book Trade and Shakespeare as Literary Dramatist
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...