According to Florian Cramer, the “post-digital” describes an approach to digital media that no longer seeks technical innovation or improvement, but considers digitization something that already happened and thus might be further reconfigured (Cramer). He explains how the term is characteristic of our time in that shifts of information technology can no longer be understood to occur synchronously — and gives examples across electronic music, book and newspaper publishing, electronic poetry, contemporary visual arts and so on
Edited by Christian Ulrik Andersen, Geoff Cox and Georgios PapadopoulosPost-digital, once understood...
The concept ‘postmodernism’ refers to a very complex ideological movement concerning the entire cogn...
The post-digital condition refers to the current status of media and digital technologies that have ...
According to Florian Cramer, the “post-digital” describes an approach to digital media that no longe...
According to Florian Cramer, the ‘post-digital’ describes an approach to digital media that no longe...
Can we say we live in a post-digital condition? It depends. This paper sets out to distinguish betwe...
Although in many ways the post-digital “sucks but is useful” as Florian Cramer notes in his contribu...
Throughout the modern period, the multivalence of the concept of media has extended beyond the techn...
We have always been post-digital or at least I cannot recall a time when art wasn’t? To claim ...
Today we live in computational abundance whereby our everyday lives and the environment that surroun...
Digital humanities and digital literary studies face much the same challenges as contemporary media ...
"Post-digital, once understood as a critical reflection of “digital” aesthetic immaterialism, now de...
Definitions of digital abound at the present time, but there is a thread amongst the most vital of t...
If the interest in the post-digital seems to point at anything, it is that the usefulness of the dig...
The term "post-digital" was coined in 2000 for electronic music, but reflecting on larger developmen...
Edited by Christian Ulrik Andersen, Geoff Cox and Georgios PapadopoulosPost-digital, once understood...
The concept ‘postmodernism’ refers to a very complex ideological movement concerning the entire cogn...
The post-digital condition refers to the current status of media and digital technologies that have ...
According to Florian Cramer, the “post-digital” describes an approach to digital media that no longe...
According to Florian Cramer, the ‘post-digital’ describes an approach to digital media that no longe...
Can we say we live in a post-digital condition? It depends. This paper sets out to distinguish betwe...
Although in many ways the post-digital “sucks but is useful” as Florian Cramer notes in his contribu...
Throughout the modern period, the multivalence of the concept of media has extended beyond the techn...
We have always been post-digital or at least I cannot recall a time when art wasn’t? To claim ...
Today we live in computational abundance whereby our everyday lives and the environment that surroun...
Digital humanities and digital literary studies face much the same challenges as contemporary media ...
"Post-digital, once understood as a critical reflection of “digital” aesthetic immaterialism, now de...
Definitions of digital abound at the present time, but there is a thread amongst the most vital of t...
If the interest in the post-digital seems to point at anything, it is that the usefulness of the dig...
The term "post-digital" was coined in 2000 for electronic music, but reflecting on larger developmen...
Edited by Christian Ulrik Andersen, Geoff Cox and Georgios PapadopoulosPost-digital, once understood...
The concept ‘postmodernism’ refers to a very complex ideological movement concerning the entire cogn...
The post-digital condition refers to the current status of media and digital technologies that have ...