Edited by Christian Ulrik Andersen, Geoff Cox and Georgios PapadopoulosPost-digital, once understood as a critical reflection of “digital” aesthetic immaterialism, now describes the messy and paradoxical condition of art and media after digital technology revolutions. “Post-digital” neither recognizes the distinction between “old” and “new” media, nor ideological affirmation of the one or the other. It merges “old” and “new”, often applying network cultural experimentation to analog technologies which it re-investigates and re-uses. It tends to focus on the experiential rather than the conceptual. It looks for DIY agency outside totalitarian innovation ideology, and for networking off big data capitalism. At the same time, it already has be...
If the interest in the post-digital seems to point at anything, it is that the usefulness of the dig...
Digital humanities and digital literary studies face much the same challenges as contemporary media ...
"In this book, Alessandro Ludovico re-reads the history of the avant-garde arts as a prehistory of c...
"Post-digital, once understood as a critical reflection of “digital” aesthetic immaterialism, now de...
Although in many ways the post-digital “sucks but is useful” as Florian Cramer notes in his contribu...
Post-digital Research addressed the messy and paradoxical condition of art and media after digital t...
According to Florian Cramer, the “post-digital” describes an approach to digital media that no longe...
Throughout the modern period, the multivalence of the concept of media has extended beyond the techn...
Can we say we live in a post-digital condition? It depends. This paper sets out to distinguish betwe...
The post-digital condition refers to the current status of media and digital technologies that have ...
The study highlights the increasing diversity of digital and postdigital art along with its rising o...
This book explores activism, research and critique in the age of digital subjects and objects and Bi...
Reproduced with the permission of Oxford University PressThe core concern of media studies today is ...
The term "post-digital" was coined in 2000 for electronic music, but reflecting on larger developmen...
The article is devoted to the comparison of two realities – the digital and the artistic. We demonst...
If the interest in the post-digital seems to point at anything, it is that the usefulness of the dig...
Digital humanities and digital literary studies face much the same challenges as contemporary media ...
"In this book, Alessandro Ludovico re-reads the history of the avant-garde arts as a prehistory of c...
"Post-digital, once understood as a critical reflection of “digital” aesthetic immaterialism, now de...
Although in many ways the post-digital “sucks but is useful” as Florian Cramer notes in his contribu...
Post-digital Research addressed the messy and paradoxical condition of art and media after digital t...
According to Florian Cramer, the “post-digital” describes an approach to digital media that no longe...
Throughout the modern period, the multivalence of the concept of media has extended beyond the techn...
Can we say we live in a post-digital condition? It depends. This paper sets out to distinguish betwe...
The post-digital condition refers to the current status of media and digital technologies that have ...
The study highlights the increasing diversity of digital and postdigital art along with its rising o...
This book explores activism, research and critique in the age of digital subjects and objects and Bi...
Reproduced with the permission of Oxford University PressThe core concern of media studies today is ...
The term "post-digital" was coined in 2000 for electronic music, but reflecting on larger developmen...
The article is devoted to the comparison of two realities – the digital and the artistic. We demonst...
If the interest in the post-digital seems to point at anything, it is that the usefulness of the dig...
Digital humanities and digital literary studies face much the same challenges as contemporary media ...
"In this book, Alessandro Ludovico re-reads the history of the avant-garde arts as a prehistory of c...