During the winter of 2000, Lluís Pasqual staged a Catalan version of Anton Chekov\u27s The Cherry Orchard at Barcelona\u27s Teatre Lliure, the historic home of Catalonia\u27s most stable, accomplished, and distinguished repertory theatre company. In Chekov\u27s play, Madame Lyobov Andreyevna Ranyevskaya, an emblem of the fading elegance and dwindling supremacy of the Russian aristocracy, is compelled by her situation of financial despair to sell her estate and cherry orchard to the nouveau-riche Lopakhin and then return to Paris on the eve of the Revolution. The orchard that was once admired for its beauty eventually will be destroyed in order to pave the way for a series of homes that will be occupied by the rising working-class
This article traces the issue of liminality, as first developed by Arnold Van Gennep and later by Vi...
Throughout the present decade, a succession of playwrights, directors and theatre artists from Argen...
A l\u27última escena de Suite, l\u27obra amb què Carles Batlle i Jordà (Barcelona, 1963) va guanyar ...
During the winter of 2000, Lluís Pasqual staged a Catalan version of Anton Chekov\u27s The Cherry Or...
The past four decades have been an exciting time for the Catalan stage. Barcelona has come into its ...
Durante el invierno del año 2000, el director catalán Lluís Pasqual llevó a la escena del Teatre Lli...
The Catalan stage is presently experiencing one of the most exciting, dynamic, and extraordinary per...
Barcelona, the cultural epicenter of Catalunya, is presently experiencing the most dynamic and polem...
Barcelona’s theater has experienced a remarkable renaissance in the years since the end of the Franc...
This essay is about the relationship between place and stage and between landscape and theatre, abou...
At an international symposium devoted to the contemporary Catalan stage, which was held at the Insti...
In depth production reviews of El público (Àlex Rigola, Teatro de la Abadía, 2015) Els veïns de Dalt...
At the end of Suite (1999), an award-winning play by Catalan dramatist Carles Batlle i Jordà, there ...
This article discusses plays and other works by Chekhov as performed in translation in contemporary ...
Ressenya sobre el llibre de Francesc Foguet i Boreu, El teatro catalán en el exilio republicano de 1...
This article traces the issue of liminality, as first developed by Arnold Van Gennep and later by Vi...
Throughout the present decade, a succession of playwrights, directors and theatre artists from Argen...
A l\u27última escena de Suite, l\u27obra amb què Carles Batlle i Jordà (Barcelona, 1963) va guanyar ...
During the winter of 2000, Lluís Pasqual staged a Catalan version of Anton Chekov\u27s The Cherry Or...
The past four decades have been an exciting time for the Catalan stage. Barcelona has come into its ...
Durante el invierno del año 2000, el director catalán Lluís Pasqual llevó a la escena del Teatre Lli...
The Catalan stage is presently experiencing one of the most exciting, dynamic, and extraordinary per...
Barcelona, the cultural epicenter of Catalunya, is presently experiencing the most dynamic and polem...
Barcelona’s theater has experienced a remarkable renaissance in the years since the end of the Franc...
This essay is about the relationship between place and stage and between landscape and theatre, abou...
At an international symposium devoted to the contemporary Catalan stage, which was held at the Insti...
In depth production reviews of El público (Àlex Rigola, Teatro de la Abadía, 2015) Els veïns de Dalt...
At the end of Suite (1999), an award-winning play by Catalan dramatist Carles Batlle i Jordà, there ...
This article discusses plays and other works by Chekhov as performed in translation in contemporary ...
Ressenya sobre el llibre de Francesc Foguet i Boreu, El teatro catalán en el exilio republicano de 1...
This article traces the issue of liminality, as first developed by Arnold Van Gennep and later by Vi...
Throughout the present decade, a succession of playwrights, directors and theatre artists from Argen...
A l\u27última escena de Suite, l\u27obra amb què Carles Batlle i Jordà (Barcelona, 1963) va guanyar ...