Add to ORKGThe African Jesus-Movie Son of Man (RSA 2006) by Mark Dornford-May crosses many boarders of genre and style and gains its unique energy by blending different sources – such as medieval mystery plays, biblical gospels or motifs of the Anti-Apartheid-Movement – into a unique, transcultural actualization of the Jesus story. A closer examination of the various connections to Pier Paolo Pasolinis’ Il Vangelo Secondo Matteo further clarifies the specific profile of Son of Man and its position within the genre of bible-movies
Dr. Lewis compares the movies of Ben Hur and King of Kings for the way in which they treat the m...
Jēzus dievišķība ir netaustāma parādība, tādējādi rodas lielas grūtības to atveidot. Laikam ejot Jēz...
This is a book review of Peter Malone, Screen Jesus: Portrayals of Christ in Television and Film (Bo...
Instead of trying to recreate the ancient life of Jesus, Mark Dornford-May’s film Son of Man depicts...
The Son of Man (2006) is the first film in the Jesus film genre with an entirely black cast, includ...
Mr Mokoena is participating in the research project, ‘Social Cohesion’, directed by Prof. Dr Vuya...
A key task in theological reflection on film is to emphasize its place within tradition – that it is...
Son of Man (2006) is the first Jesus film to be produced in South Africa and the first Jesus film wi...
Judas blends the gospels and adds ingredients not found in scripture, the made-for-television film m...
This thesis constructs and critically explores 'cross-cultural Bible film reception' by examining an...
This essay explores what is at stake in accurately representing Jesus as a first-century Palestinian...
Within the body of Biblical epics made from 2004 onwards, a few films are directly inspired by the B...
Films about Jesus attempt to interpret the gospel in light of both cultural issues and the concerns ...
The Passion has all the elements of classical tragedy: powerful characters, and a powerful plot fill...
<em>Son of Man</em><span> (2006) is the first Jesus film to be produced in South A...
Dr. Lewis compares the movies of Ben Hur and King of Kings for the way in which they treat the m...
Jēzus dievišķība ir netaustāma parādība, tādējādi rodas lielas grūtības to atveidot. Laikam ejot Jēz...
This is a book review of Peter Malone, Screen Jesus: Portrayals of Christ in Television and Film (Bo...
Instead of trying to recreate the ancient life of Jesus, Mark Dornford-May’s film Son of Man depicts...
The Son of Man (2006) is the first film in the Jesus film genre with an entirely black cast, includ...
Mr Mokoena is participating in the research project, ‘Social Cohesion’, directed by Prof. Dr Vuya...
A key task in theological reflection on film is to emphasize its place within tradition – that it is...
Son of Man (2006) is the first Jesus film to be produced in South Africa and the first Jesus film wi...
Judas blends the gospels and adds ingredients not found in scripture, the made-for-television film m...
This thesis constructs and critically explores 'cross-cultural Bible film reception' by examining an...
This essay explores what is at stake in accurately representing Jesus as a first-century Palestinian...
Within the body of Biblical epics made from 2004 onwards, a few films are directly inspired by the B...
Films about Jesus attempt to interpret the gospel in light of both cultural issues and the concerns ...
The Passion has all the elements of classical tragedy: powerful characters, and a powerful plot fill...
<em>Son of Man</em><span> (2006) is the first Jesus film to be produced in South A...
Dr. Lewis compares the movies of Ben Hur and King of Kings for the way in which they treat the m...
Jēzus dievišķība ir netaustāma parādība, tādējādi rodas lielas grūtības to atveidot. Laikam ejot Jēz...
This is a book review of Peter Malone, Screen Jesus: Portrayals of Christ in Television and Film (Bo...