In 1964 the late Dr A. M. Jones published a book entitled Africa and Indonesia: the evidence of the xylophone and other musical and cultural factors, in which he set out a quantity of data which he considered in sum to constitute evidence for cultural and social contact between Africa and Indonesia at a period well before the heyday of Portuguese exploration. Not all of his points had to do with music, but to his case music was central and pre-eminent and the musical and musicological arguments he presented were detailed enough to carry a great deal of conviction
Beginning with early evidence of crossover in the music of Zanzibar, the paper considers reflections...
No traveller in Africa today, exploring African culture, can be unaware of the central place occupie...
Southeast Asia and adjacent regions are part of a general area defined musically by ensembles of tun...
This essay is an appeal to scholars of various disciplines to bring their knowledge to bear on a the...
The Rev. A. M. Jones in a recent article* on the relationship between Indonesian and African music h...
The hypothesis that sea-going peoples from the general area of present-day Indonesia contributed to ...
This book falls into two studies, the one is on the similarities between the music, the tuning and t...
In the author’s opinion there have been three far-reaching gaps in the study of Africa’s history: 1)...
The discovery of a trough xylophone near Lake Chilwa in Northern Mozambique might be of some interes...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
This dissertation is divided into three parts. The first examines the manufacture of Javanese gamela...
It is surprising that Chopi timbila xylophone music, one of the complex and organised musics of the ...
A primer of practical suggestions for field research for the Codification and Textbook Project has r...
The Tsonga of Mozambique and South Africa are located between the Venda in the northwest and the Cho...
Interesting details of the construction of a Rongo xylophone in the Sudan has been sent us by Mr. Da...
Beginning with early evidence of crossover in the music of Zanzibar, the paper considers reflections...
No traveller in Africa today, exploring African culture, can be unaware of the central place occupie...
Southeast Asia and adjacent regions are part of a general area defined musically by ensembles of tun...
This essay is an appeal to scholars of various disciplines to bring their knowledge to bear on a the...
The Rev. A. M. Jones in a recent article* on the relationship between Indonesian and African music h...
The hypothesis that sea-going peoples from the general area of present-day Indonesia contributed to ...
This book falls into two studies, the one is on the similarities between the music, the tuning and t...
In the author’s opinion there have been three far-reaching gaps in the study of Africa’s history: 1)...
The discovery of a trough xylophone near Lake Chilwa in Northern Mozambique might be of some interes...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
This dissertation is divided into three parts. The first examines the manufacture of Javanese gamela...
It is surprising that Chopi timbila xylophone music, one of the complex and organised musics of the ...
A primer of practical suggestions for field research for the Codification and Textbook Project has r...
The Tsonga of Mozambique and South Africa are located between the Venda in the northwest and the Cho...
Interesting details of the construction of a Rongo xylophone in the Sudan has been sent us by Mr. Da...
Beginning with early evidence of crossover in the music of Zanzibar, the paper considers reflections...
No traveller in Africa today, exploring African culture, can be unaware of the central place occupie...
Southeast Asia and adjacent regions are part of a general area defined musically by ensembles of tun...