This book falls into two studies, the one is on the similarities between the music, the tuning and the scales of the xylophones used in Africa and those used in Indonesia; the other is devoted to expounding a solution to explain these similarities
This article is written as a follow-up to my article “The original African mbira?” (1972). I can rep...
The music quoted in this article was played to me by Leonard Kembe, who is one of the few educated Z...
A primer of practical suggestions for field research for the Codification and Textbook Project has r...
This essay is an appeal to scholars of various disciplines to bring their knowledge to bear on a the...
In 1964 the late Dr A. M. Jones published a book entitled Africa and Indonesia: the evidence of the ...
The Rev. A. M. Jones in a recent article* on the relationship between Indonesian and African music h...
The hypothesis that sea-going peoples from the general area of present-day Indonesia contributed to ...
This review article further explores the nexus between music education and African music/(ethno)musi...
This dissertation is divided into three parts. The first examines the manufacture of Javanese gamela...
The Xylophone, found in many tribes in South, Central, East and West Africa, is often a very rustic...
The discovery of a trough xylophone near Lake Chilwa in Northern Mozambique might be of some interes...
This article provides a review of Western and African music. The study made a comparison of Western ...
In the author’s opinion there have been three far-reaching gaps in the study of Africa’s history: 1)...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
[Extract] This review addresses two of the more recent publications in the Institute of Papua New Gu...
This article is written as a follow-up to my article “The original African mbira?” (1972). I can rep...
The music quoted in this article was played to me by Leonard Kembe, who is one of the few educated Z...
A primer of practical suggestions for field research for the Codification and Textbook Project has r...
This essay is an appeal to scholars of various disciplines to bring their knowledge to bear on a the...
In 1964 the late Dr A. M. Jones published a book entitled Africa and Indonesia: the evidence of the ...
The Rev. A. M. Jones in a recent article* on the relationship between Indonesian and African music h...
The hypothesis that sea-going peoples from the general area of present-day Indonesia contributed to ...
This review article further explores the nexus between music education and African music/(ethno)musi...
This dissertation is divided into three parts. The first examines the manufacture of Javanese gamela...
The Xylophone, found in many tribes in South, Central, East and West Africa, is often a very rustic...
The discovery of a trough xylophone near Lake Chilwa in Northern Mozambique might be of some interes...
This article provides a review of Western and African music. The study made a comparison of Western ...
In the author’s opinion there have been three far-reaching gaps in the study of Africa’s history: 1)...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
[Extract] This review addresses two of the more recent publications in the Institute of Papua New Gu...
This article is written as a follow-up to my article “The original African mbira?” (1972). I can rep...
The music quoted in this article was played to me by Leonard Kembe, who is one of the few educated Z...
A primer of practical suggestions for field research for the Codification and Textbook Project has r...