No traveller in Africa today, exploring African culture, can be unaware of the central place occupied by drumming, singing and dancing. It is so widespread that we take it for granted. But it might be of interest to pause and to ask, “How long has this been going on?—Has Africa always been like this?” Knowing the remarkable imitative capacity of the African, we might invoke history to suggest that possibly he has acquired this culture from outside influences—from the powerful and widespread influence of Islam, for example. History has, however, left its own record in the diaries of travellers, and the notes of geographers, the sifting of which leaves an interesting deposit of information about African music and dancing down the centuries. T...
What do we mean by the term “music” in Africa? It is the combination of three things that are interd...
Certainly the most lasting impression I brought home from my "hippie summer" of 1968 in Berkeley, Ca...
Indigenous African music, like all music, is as old as humanity (Adum, Ekwugha & Ojiakor, 2015; Frie...
Most people who read stories about Africa and less advanced students of African history (among which...
Although historical studies on African music date to the twentieth century, particularly idioms that...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
Most of the instruments I heard were percussive. There were the ordinary tomtom and drum, and some e...
The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of e...
Music is as old as man himself. The origin of music can be looked for in natural phenomena like the ...
This dance is now being seen quite frequently in London and some other European cities, and is espec...
Babatunde Ọlátúnjí’s Drums of Passion (1960) caught the attention of prominent American musicians fr...
This particular line of inquiry begins by invoking Agawu’s challenge (2004) to musicology, namely to...
This article examines the utility and significance of music performed on 19th- century caravans jour...
A continuation of the theory published in the previous edition of African Music, pages 29-34, and pa...
Ethnomusicologists and students of African music have too often become involved in the technicalitie...
What do we mean by the term “music” in Africa? It is the combination of three things that are interd...
Certainly the most lasting impression I brought home from my "hippie summer" of 1968 in Berkeley, Ca...
Indigenous African music, like all music, is as old as humanity (Adum, Ekwugha & Ojiakor, 2015; Frie...
Most people who read stories about Africa and less advanced students of African history (among which...
Although historical studies on African music date to the twentieth century, particularly idioms that...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
Most of the instruments I heard were percussive. There were the ordinary tomtom and drum, and some e...
The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of e...
Music is as old as man himself. The origin of music can be looked for in natural phenomena like the ...
This dance is now being seen quite frequently in London and some other European cities, and is espec...
Babatunde Ọlátúnjí’s Drums of Passion (1960) caught the attention of prominent American musicians fr...
This particular line of inquiry begins by invoking Agawu’s challenge (2004) to musicology, namely to...
This article examines the utility and significance of music performed on 19th- century caravans jour...
A continuation of the theory published in the previous edition of African Music, pages 29-34, and pa...
Ethnomusicologists and students of African music have too often become involved in the technicalitie...
What do we mean by the term “music” in Africa? It is the combination of three things that are interd...
Certainly the most lasting impression I brought home from my "hippie summer" of 1968 in Berkeley, Ca...
Indigenous African music, like all music, is as old as humanity (Adum, Ekwugha & Ojiakor, 2015; Frie...