Colored layers on surfaces of objects associated with archaeological and historical context may be of various origins: natural or intentional and in numerous cases their exact identification is not obvious, especially for thousand-year-old objects. Yet, the diagnosing of their nature may constitute an important element for the interpretation of ancient cultures. Examples of red color layers of natural, intentional and unclear origin were chosen and observed to select criteria defining layers of uncertain parentage
Ochre is the common archaeological term for prehistoric pigments. It is applied to a range of uses, ...
Historical painted works of art have a very complex inner structure. The period painting technique l...
<div><p>Ochre is the common archaeological term for prehistoric pigments. It is applied to a range o...
Colored layers on surfaces of objects associated with archaeological and historical context may be o...
Samples containing red pigment have been collected from two different archaeological sites dating to...
We examined some paint layers from roman wall paintings colored with red and purple haematite. Study...
This study concerns those crystallographic and microstructural features that can provide indications...
It has been confirmed that the disordered hematite occurring in prehistorical red colouring material...
Although prehistoric sites frequently contain numerous fragments and traces of many different kinds ...
Many monuments and objects of the ancient civilizations were painted, but unfortunately the pigments...
“Applying red” is a common phenomenon observed in Chinese archaeological sites, with the red pigment...
During the last years of research carried out on the basis of a financial support by MIUR, many samp...
Colour and decoration were prominent features of Neolithic figurines. However, many such details and...
Abstract : Despite an increasing number of studies, colouring materials are still poorly understood...
mail janv/fevInternational audienceAlthough the main prehistoric color used for paintings is red, kn...
Ochre is the common archaeological term for prehistoric pigments. It is applied to a range of uses, ...
Historical painted works of art have a very complex inner structure. The period painting technique l...
<div><p>Ochre is the common archaeological term for prehistoric pigments. It is applied to a range o...
Colored layers on surfaces of objects associated with archaeological and historical context may be o...
Samples containing red pigment have been collected from two different archaeological sites dating to...
We examined some paint layers from roman wall paintings colored with red and purple haematite. Study...
This study concerns those crystallographic and microstructural features that can provide indications...
It has been confirmed that the disordered hematite occurring in prehistorical red colouring material...
Although prehistoric sites frequently contain numerous fragments and traces of many different kinds ...
Many monuments and objects of the ancient civilizations were painted, but unfortunately the pigments...
“Applying red” is a common phenomenon observed in Chinese archaeological sites, with the red pigment...
During the last years of research carried out on the basis of a financial support by MIUR, many samp...
Colour and decoration were prominent features of Neolithic figurines. However, many such details and...
Abstract : Despite an increasing number of studies, colouring materials are still poorly understood...
mail janv/fevInternational audienceAlthough the main prehistoric color used for paintings is red, kn...
Ochre is the common archaeological term for prehistoric pigments. It is applied to a range of uses, ...
Historical painted works of art have a very complex inner structure. The period painting technique l...
<div><p>Ochre is the common archaeological term for prehistoric pigments. It is applied to a range o...