Colour and decoration were prominent features of Neolithic figurines. However, many such details and colours have faded over time, and it is only on close inspection that traces of colour are visible. This paper presents the innovative application to figurines of a technique based on the treatment of images with DStretch, a valuable tool for recovering the visualization of fainted pigments in clay figurines examined from Knossos. The method has the potential to illuminate aspects such as gender, age, status, identity or group affiliation through the study of colour in Prehistoric figurines
It is widely assumed nowadays that colours and gold played a major role in ancient Greek societies t...
The image-based discourse on clay figurines that treated them as merely artistic representations, th...
Many monuments and objects of the ancient civilizations were painted, but unfortunately the pigments...
Colour is a fundamental human experience – if not a universally constant one. There are, after all, ...
The 1995–1996 rescue excavation at the northern cemetery of Ancient Demetrias (Volos, Greece) uneart...
Over the last few centuries, modern perceptions of colour in antiquity have undergone extensive chan...
Description:Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify,...
Over the last few centuries, modern perceptions of colour in antiquity have undergone extensive chan...
In this paper the use of the pigments in the Paleolithic is presented, and some ideas of the symboli...
This paper was prepared for the conference, Colour in the Ancient Mediterranean World, Edinburgh, 9-...
The wealth and diversity of decoration on Greek pottery continues to attract science-based attention...
Fully illustrated, Prehistoric Figurines brings a radical new approach to one of the most exciting, ...
How to describe the faded colours in ancient textiles in a way that is understandable to others when...
The image-based discourse on clay figurines that treated them as merely artistic representations, th...
International audienceThe Louvre's Department of Greek, Etruscan, and Roman Antiquities houses one o...
It is widely assumed nowadays that colours and gold played a major role in ancient Greek societies t...
The image-based discourse on clay figurines that treated them as merely artistic representations, th...
Many monuments and objects of the ancient civilizations were painted, but unfortunately the pigments...
Colour is a fundamental human experience – if not a universally constant one. There are, after all, ...
The 1995–1996 rescue excavation at the northern cemetery of Ancient Demetrias (Volos, Greece) uneart...
Over the last few centuries, modern perceptions of colour in antiquity have undergone extensive chan...
Description:Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify,...
Over the last few centuries, modern perceptions of colour in antiquity have undergone extensive chan...
In this paper the use of the pigments in the Paleolithic is presented, and some ideas of the symboli...
This paper was prepared for the conference, Colour in the Ancient Mediterranean World, Edinburgh, 9-...
The wealth and diversity of decoration on Greek pottery continues to attract science-based attention...
Fully illustrated, Prehistoric Figurines brings a radical new approach to one of the most exciting, ...
How to describe the faded colours in ancient textiles in a way that is understandable to others when...
The image-based discourse on clay figurines that treated them as merely artistic representations, th...
International audienceThe Louvre's Department of Greek, Etruscan, and Roman Antiquities houses one o...
It is widely assumed nowadays that colours and gold played a major role in ancient Greek societies t...
The image-based discourse on clay figurines that treated them as merely artistic representations, th...
Many monuments and objects of the ancient civilizations were painted, but unfortunately the pigments...