The following article addresses a paradox that lies at the heart of every public art collection. The public nature of the institution leads one to assume that collections are compiled on what might be called «public principles.» Thus the selection process is supposed to be «objective», while also being guided by «good taste.»
Not all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
The main purpose of this master thesis is to give the reader a picture of the experience of art ...
The article deals with three versions of public art:art in the city, art in the media, and art mixed...
This article is one part of an ongoing process to collect the entire history of Finnish Museums to b...
In this chapter, I discuss corporate art collections as part of national cultural heritage and semi-...
The intention of this article is to open a debate on the too familiar dichotomy between private and ...
The practical co-operation when applying the Percent-for-Art principle creates a visionary, socio-ec...
The practical co-operation when applying the Percent-for-Art principle creates a visionary, socio-ec...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
The practical co-operation when applying the Percent-for-Art principle creates a visionary, socio-ec...
This article discusses the shifting role of visitors to contemporary museums and critically explores...
Nazi Germany used official cultural cooperation for ideological propaganda purposes. Germany did not...
Not all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
The main purpose of this master thesis is to give the reader a picture of the experience of art ...
The article deals with three versions of public art:art in the city, art in the media, and art mixed...
This article is one part of an ongoing process to collect the entire history of Finnish Museums to b...
In this chapter, I discuss corporate art collections as part of national cultural heritage and semi-...
The intention of this article is to open a debate on the too familiar dichotomy between private and ...
The practical co-operation when applying the Percent-for-Art principle creates a visionary, socio-ec...
The practical co-operation when applying the Percent-for-Art principle creates a visionary, socio-ec...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
The practical co-operation when applying the Percent-for-Art principle creates a visionary, socio-ec...
This article discusses the shifting role of visitors to contemporary museums and critically explores...
Nazi Germany used official cultural cooperation for ideological propaganda purposes. Germany did not...
Not all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
The main purpose of this master thesis is to give the reader a picture of the experience of art ...
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