The following article addresses a paradox that lies at the heart of every public art collection. The public nature of the institution leads one to assume that collections are compiled on what might be called «public principles.» Thus the selection process is supposed to be «objective», while also being guided by «good taste.»
The purpose of this essay has been to investigate the conditions for making the Swedish national pub...
The main aim of public art is to be avaliable and accessible to all. Public art is often connected t...
Analysing juridical framework of museum institution on the basis of normative and doctrinal referenc...
The article deals with three versions of public art:art in the city, art in the media, and art mixed...
This article is one part of an ongoing process to collect the entire history of Finnish Museums to b...
In this chapter, I discuss corporate art collections as part of national cultural heritage and semi-...
The intention of this article is to open a debate on the too familiar dichotomy between private and ...
The practical co-operation when applying the Percent-for-Art principle creates a visionary, socio-ec...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
This article discusses the shifting role of visitors to contemporary museums and critically explores...
Nazi Germany used official cultural cooperation for ideological propaganda purposes. Germany did not...
Not all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way...
The main purpose of this master thesis is to give the reader a picture of the experience of art ...
This bachelor’s thesis examines the ideas behind the phenomenon art exhibitions in public libraries....
In this paper, I argue for what I define as the multiplicity thesis (MT). According to MT, there is ...
The purpose of this essay has been to investigate the conditions for making the Swedish national pub...
The main aim of public art is to be avaliable and accessible to all. Public art is often connected t...
Analysing juridical framework of museum institution on the basis of normative and doctrinal referenc...
The article deals with three versions of public art:art in the city, art in the media, and art mixed...
This article is one part of an ongoing process to collect the entire history of Finnish Museums to b...
In this chapter, I discuss corporate art collections as part of national cultural heritage and semi-...
The intention of this article is to open a debate on the too familiar dichotomy between private and ...
The practical co-operation when applying the Percent-for-Art principle creates a visionary, socio-ec...
It is widely acknowledged that categories play significant roles in the appreciation of artworks. Th...
This article discusses the shifting role of visitors to contemporary museums and critically explores...
Nazi Germany used official cultural cooperation for ideological propaganda purposes. Germany did not...
Not all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way...
The main purpose of this master thesis is to give the reader a picture of the experience of art ...
This bachelor’s thesis examines the ideas behind the phenomenon art exhibitions in public libraries....
In this paper, I argue for what I define as the multiplicity thesis (MT). According to MT, there is ...
The purpose of this essay has been to investigate the conditions for making the Swedish national pub...
The main aim of public art is to be avaliable and accessible to all. Public art is often connected t...
Analysing juridical framework of museum institution on the basis of normative and doctrinal referenc...