In this paper, I argue for what I define as the multiplicity thesis (MT). According to MT, there is not a single public of public art, but a multiplicity of them. I defend MT both as a descriptive and a normative claim. I explore different types of publics of public art that can be distinguished from one another in terms of their different sizes. I expand my analysis of the differences among separate publics of public art by considering temporary and enduring ones
Is public art necessarily political, by virtue of its siting in public space? Certainly, conventiona...
An introduction to the double issue of the Art & the Public Sphere journal on the subject of public...
Socially engaged art practices connect with a tradition of avant-garde perspectives on art’s potenti...
Thesis: Ph. D., Massachusetts Institute of Technology, Department of Linguistics and Philosophy, 201...
This doctoral thesis provides further insight into the interrelationships between artwork, public sp...
This research study looks at the process of public art production, from initial conceptualization to...
This special issue is devoted to research on the changing paradigms of public art, and of public spa...
The article deals with three versions of public art:art in the city, art in the media, and art mixed...
This paper compares public art among the municipalities of Clayton, University City, and St. Louis C...
Not all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way...
Public art is an emerging discipline whose practices currently exist as informal rules of thumb rath...
The following article addresses a paradox that lies at the heart of every public art collection. The...
International audienceIn the public domain, the artistic expression embodies different forms which g...
This special issue is devoted to research on the changing paradigms of public art, and of public spa...
Traditional monist theories of art fail to account for the diversity of objects that intuitively str...
Is public art necessarily political, by virtue of its siting in public space? Certainly, conventiona...
An introduction to the double issue of the Art & the Public Sphere journal on the subject of public...
Socially engaged art practices connect with a tradition of avant-garde perspectives on art’s potenti...
Thesis: Ph. D., Massachusetts Institute of Technology, Department of Linguistics and Philosophy, 201...
This doctoral thesis provides further insight into the interrelationships between artwork, public sp...
This research study looks at the process of public art production, from initial conceptualization to...
This special issue is devoted to research on the changing paradigms of public art, and of public spa...
The article deals with three versions of public art:art in the city, art in the media, and art mixed...
This paper compares public art among the municipalities of Clayton, University City, and St. Louis C...
Not all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way...
Public art is an emerging discipline whose practices currently exist as informal rules of thumb rath...
The following article addresses a paradox that lies at the heart of every public art collection. The...
International audienceIn the public domain, the artistic expression embodies different forms which g...
This special issue is devoted to research on the changing paradigms of public art, and of public spa...
Traditional monist theories of art fail to account for the diversity of objects that intuitively str...
Is public art necessarily political, by virtue of its siting in public space? Certainly, conventiona...
An introduction to the double issue of the Art & the Public Sphere journal on the subject of public...
Socially engaged art practices connect with a tradition of avant-garde perspectives on art’s potenti...