Add to ORKGSpecial issue editors Daniel Fischlin and Eric Porter introduce this issue of Critical Studies in Improvisation / Études critiques en improvisation
The central aim of this book is to present a new approach to “the field of musical improvisation” (F...
Improvisation is a way of knowing that is experiential, pivotal to the body's movement and growth in...
Improvisation has been treated largely as if it were a conceptual monolith: all improvisations are s...
Special issue editors Sara Ramshaw and Paul Stapleton introduce this issue of Critical Studies in Im...
Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literatu...
Special issue edited by Daniel Fischlin, Laura Risk, and Jesse Stewart. This special issue of Critic...
This is the final version of the article. Available from the publisher via the link in this record.T...
Improvisation is often regarded as a central, constitutive, and even defining element of jazz, and a...
Contingent Encounters offers a sustained comparative study of improvisation as it appears between mu...
A fully written journal article presented at the International Society for Improvised Music 10th Ann...
A follow on special issue from the issue: "Improvisation and Social Inclusion" (Vol. 38, Issue 5)
137-155 The chapter was commissioned by the editor Dr Gavin Butt as part of a collection of essays ...
This intervention appears in Distributed Creativity: Collaboration and Improvisation in Contemporary...
The symposium IMPRO TALKS was held in October 2016 at the Zurich University of the Arts and to our k...
This special issue of the Journal of Dance & Somatic Practices focuses on contact [and] improvisatio...
The central aim of this book is to present a new approach to “the field of musical improvisation” (F...
Improvisation is a way of knowing that is experiential, pivotal to the body's movement and growth in...
Improvisation has been treated largely as if it were a conceptual monolith: all improvisations are s...
Special issue editors Sara Ramshaw and Paul Stapleton introduce this issue of Critical Studies in Im...
Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literatu...
Special issue edited by Daniel Fischlin, Laura Risk, and Jesse Stewart. This special issue of Critic...
This is the final version of the article. Available from the publisher via the link in this record.T...
Improvisation is often regarded as a central, constitutive, and even defining element of jazz, and a...
Contingent Encounters offers a sustained comparative study of improvisation as it appears between mu...
A fully written journal article presented at the International Society for Improvised Music 10th Ann...
A follow on special issue from the issue: "Improvisation and Social Inclusion" (Vol. 38, Issue 5)
137-155 The chapter was commissioned by the editor Dr Gavin Butt as part of a collection of essays ...
This intervention appears in Distributed Creativity: Collaboration and Improvisation in Contemporary...
The symposium IMPRO TALKS was held in October 2016 at the Zurich University of the Arts and to our k...
This special issue of the Journal of Dance & Somatic Practices focuses on contact [and] improvisatio...
The central aim of this book is to present a new approach to “the field of musical improvisation” (F...
Improvisation is a way of knowing that is experiential, pivotal to the body's movement and growth in...
Improvisation has been treated largely as if it were a conceptual monolith: all improvisations are s...